SHEN YUN PERFORMING ARTS REVIEWS

Shen Yun Evokes ‘Presence of the Divine' for Aix-En-Provence Audience

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Shen Yun Evokes ‘Presence of the Divine' for Aix-En-Provence Audience
Nadia and Jean-Pierre Allaix attend Shen Yun Performing Arts at the Grand Théâtre de Provence in Aix-en-Provence, France, on April 19, 2026. NTD
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AIX-EN-PROVENCE, France—The sixth sold-out performance of Shen Yun Performing Arts at the Grand Théâtre de Provence left the audience in awe, moved, and pensive. Described as “magical,” “dreamlike,” and “unifying,” the testimonials collected describe an experience that is both artistic and deeply spiritual, where the beauty of the choreography blends with a universal message of kindness and humanity.

At the heart of Shen Yun lies classical Chinese dance, an ancient art form that evolved over the course of the imperial dynasties. Contrary to popular belief, it is not merely an aesthetic form but a comprehensive system of movements, postures, and expressions that enables storytelling and the transmission of values. This discipline relies notably on physical mastery—with jumps, spins, and acrobatic moves—but also on inner expression, known as “yun,” which brings the characters to life. It is precisely this combination of technique and expressiveness that captivates the audience.

Nadia Allaix, a retired business owner, commended Shen Yun’s visual richness. “What I really enjoyed about the show were the costumes, the colors, and the lighting,” she said. “The first scene is very interesting because it plunges us directly into a kind of magic, a kind of transport through space and time.”

The costumes, inspired by various dynasties and regions of China, contribute to this immersive experience. Combined with animated digital backdrops, they create a visual continuity that gives the impression of traveling between heaven and earth, past and present.
Jean-Pierre Allaix, her husband, shared her sense of wonder: “It really is magical—both the performances and the choreography.” Also retired, he ran a business with his wife after a career as a corporate manager.

Stories Across the Ages

Each scene presented by Shen Yun tells a story, whether it draws from mythology, classical literature, or contemporary China.

To guide the audience, two hosts introduce each scene—a choice that Mrs. Allaix particularly appreciated. “I also really liked that two people came onto the stage before each scene … to guide us and explain the choreography that was about to unfold. This gives the show structure and … also helps us understand it better,” she said.

This approach makes the performance accessible even to audiences unfamiliar with Chinese culture. It also helps viewers better grasp the narrative and symbolic nuances that are woven throughout the choreography.

Profoundly Spiritual

Beyond its visual and narrative aspects, it is Shen Yun’s spiritual themes that left a lasting impression. Shen Yun draws inspiration from a traditional worldview in which the divine plays a central role in creating harmony between heaven and earth.

Mr. Allaix highlighted this point: “What’s interesting is this reminder of the divine’s presence … in timelessness. This performance draws our attention … to the relationship between heaven and earth.”

He also reflected on modernity, which he said tends to obscure tradition and the presence of the divine: “Modernity … tends to obscure that aspect just a little bit. But it’s still there … and we mustn’t forget it.”

For Mrs. Allaix, this spirituality extends far beyond the Chinese cultural context: “This performance is very spiritual. We’re not just in China; we’re in the world. All of this spirituality … brings a sense of unity. Art is universal.”

She appreciated the show’s ability to forge a connection among the audience members, regardless of their backgrounds: “It’s easier to immerse oneself in this art form … through its spiritual dimension … which is particularly powerful thanks to the translation of the text.”

André Urvoix attends Shen Yun at the Grand Théâtre de Provence, in Aix-en-Provence, on April 19, 2026. (NTD)
André Urvoix attends Shen Yun at the Grand Théâtre de Provence, in Aix-en-Provence, on April 19, 2026. NTD

An Emotional and Personal Experience

The performance also evoked deep and personal emotions. André Urvois, a former chief warrant officer in the French Army and recipient of the Military Medal, recounted a particularly memorable experience.

“It’s beautiful, it’s wonderful … It’s something truly exceptional; it never fails to inspire me,” he said. “I had a wonderful afternoon. It’s nothing but joy and happiness.”

Of Asian descent through his Cambodian mother, he felt a deep connection to his roots: “I felt it really deeply; it feels like I’m rediscovering my childhood.”

The spiritual aspect also resonated with him: “Yes, kindness, compassion … it’s all about kindness. Especially these days, we really need it.”

For him, the performance serves as a vital reminder: “Shen Yun can bring a great deal of goodness … to human existence—without the divine aspect, we are nothing,” he said.

A Universal Message for the Modern World

In a world often marked by divisions and tensions, Shen Yun offers a message of unity and reflection, Mr. Allaix said: “This performance helps us transcend our differences and reminds us of what brings us together, what unites us.”

He also touched on the show’s philosophical dimension, inviting reflection on universal concepts. “These are universal values—we’re talking about art, love, beauty, and humanity. That message … is important.”

Mr. Urvois, for his part, called for a shift in perspective: “We need to … take a step back.”

He describes the state the performance put him in: “At that moment, I was truly in a dream … I felt good. I was at peace.”

By blending ancient traditions with modern technology, Shen Yun bridges cultures and eras. The performance does more than simply showcase a culture; it invites audiences to embark on an inner journey and reconnect with fundamental human values.

In Aix-en-Provence, Shen Yun left a lasting impression on the audience—a blend of wonder, reflection, and emotion. An invitation, in the words of Mr. Allaix, “to the universality” that continues to resonate long after the curtain falls.

Reporting by Nathalie Dieul and translated from the French language Epoch Times by Sonia Rouleau.
The Epoch Times is a proud sponsor of Shen Yun Performing Arts. We have covered audience reactions since Shen Yun’s inception in 2006.
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