‘Eden’: The Film Sydney Sweeney’s American Eagle Ad Was For
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‘Eden’: The Film Sydney Sweeney’s American Eagle Ad Was For

A-list director Ron Howard’s powerful, true tale of deviousness, set in the Galápagos Islands, is part ‘Robinson Crusoe’ and part ‘Lord of the Flies.’
“Sorry, Baby”: Post-grad Student Works Her Way Through PTSD
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“Sorry, Baby”: Post-grad Student Works Her Way Through PTSD

“Sorry, Baby” is a stellar film debut, by writer-director-star Eva Victor, which examines whether PTSD-causing events shrink or broaden our life perspectives.
250 Years of American Independence: The Founders Museum
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250 Years of American Independence: The Founders Museum

Part one: A review of the White House series marking the anniversary of America’s freedom.
‘My Mother’s Wedding’: Kristen Scott Thomas’s First Film
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‘My Mother’s Wedding’: Kristen Scott Thomas’s First Film

Thomas, an emerging director of character, may eventually grow into even more of an actor’s director. She’s got a good eye for nuance and a talent for comedy.
‘The Wildman of Shaggy Creek’: Kid-Friendly Creature Feature
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‘The Wildman of Shaggy Creek’: Kid-Friendly Creature Feature

This wonderful coming-of-age adventure and kiddie-monster movie belongs in company of films such as “The Goonies,” “E.T., and “Stand By Me.”

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‘Honey, Don’t!’: Honey, Don’t Go See This Coen Brother Film

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This wannabe comedy darkens the moral dye-vat by taking a variety of already extreme ideas and pushing them to the limit.
‘The Thursday Murder Club’: All-Star Cast, Generic Story

‘The Thursday Murder Club’: All-Star Cast, Generic Story

Despite four well-seasoned, talented actors, this whodunit lands in the camp of gentle variety of the genre.
‘Eden’: The Film Sydney Sweeney’s American Eagle Ad Was For

‘Eden’: The Film Sydney Sweeney’s American Eagle Ad Was For

A-list director Ron Howard’s powerful, true tale of deviousness, set in the Galápagos Islands, is part ‘Robinson Crusoe’ and part ‘Lord of the Flies.’
“Sorry, Baby”: Post-grad Student Works Her Way Through PTSD

“Sorry, Baby”: Post-grad Student Works Her Way Through PTSD

“Sorry, Baby” is a stellar film debut, by writer-director-star Eva Victor, which examines whether PTSD-causing events shrink or broaden our life perspectives.
‘Nobody 2’: More of the Same, Which Is Mostly a Good Thing

‘Nobody 2’: More of the Same, Which Is Mostly a Good Thing

The entire primary cast from the first installment returns while villain Sharon Stone thoroughly devours the scenery.
‘Highest 2 Lowest’: Spike Lee Remakes a Kurosawa Classic

‘Highest 2 Lowest’: Spike Lee Remakes a Kurosawa Classic

Halfway through, ‘Highest 2 Lowest’ became riveting, but overall it’s sporadically entertaining, often boring, sometimes engrossing, and sometimes rather silly.
250 Years of American Independence: The Founders Museum

250 Years of American Independence: The Founders Museum

Part one: A review of the White House series marking the anniversary of America’s freedom.
‘My Mother’s Wedding’: Kristen Scott Thomas’s First Film

‘My Mother’s Wedding’: Kristen Scott Thomas’s First Film

Thomas, an emerging director of character, may eventually grow into even more of an actor’s director. She’s got a good eye for nuance and a talent for comedy.
‘The Wildman of Shaggy Creek’: Kid-Friendly Creature Feature

‘The Wildman of Shaggy Creek’: Kid-Friendly Creature Feature

This wonderful coming-of-age adventure and kiddie-monster movie belongs in company of films such as “The Goonies,” “E.T., and “Stand By Me.”
‘The Naked Gun’: A Legacy Sequel Worth Your Time and Money

‘The Naked Gun’: A Legacy Sequel Worth Your Time and Money

In his first ever comedic leading role, Liam Neeson holds his own and then some.