Mark Jackson is the senior film critic for The Epoch Times and a Rotten Tomatoes-approved critic. Mark earned a bachelor's degree in philosophy from Williams College, followed by classical theater conservatory training, and has 20 years' experience as a New York professional actor. He narrated The Epoch Times audiobook "How the Specter of Communism Is Ruling Our World," available on iTunes, Audible, and YouTube. Mark is featured in the book "How to Be a Film Critic in Five Easy Lessons" by Christopher K. Brooks. In addition to films, he enjoys Harley-Davidsons, rock-climbing, qigong, martial arts, and human rights activism.
Where “Sheepdog” completely succeeds is in addressing veteran support. Kudos to Grayhm for shining a spotlight on this shameful aspect of American culture.
French film aficionados and Foster fans may find the film fascinating due to France-in-the-fall feelings and Foster’s fine French, but I found it far from fun.
Does “The Lord of the Rings: The Two Towers,” suffer from sequelitis? No. It’s even better. More spectacular, emotionally rewarding, and more exciting.
Single motherhood was never intended to constitute a noble undertaking but to facilitate the destruction of humanity by setting the sexes against each other.
“The Housemaid,” needed to either belly-flop into outright camp or go dark and psychotic like “Gone Girl.” As is, it’s a decent but highly predictable thriller.
While it would be nice to have new intellectual property coming from James Cameron, the “Avatar” films are like the “Lord Of The Rings” trilogy—keep ‘em comin’.
Where “Sheepdog” completely succeeds is in addressing veteran support. Kudos to Grayhm for shining a spotlight on this shameful aspect of American culture.
French film aficionados and Foster fans may find the film fascinating due to France-in-the-fall feelings and Foster’s fine French, but I found it far from fun.
Does “The Lord of the Rings: The Two Towers,” suffer from sequelitis? No. It’s even better. More spectacular, emotionally rewarding, and more exciting.
Single motherhood was never intended to constitute a noble undertaking but to facilitate the destruction of humanity by setting the sexes against each other.
“The Housemaid,” needed to either belly-flop into outright camp or go dark and psychotic like “Gone Girl.” As is, it’s a decent but highly predictable thriller.
While it would be nice to have new intellectual property coming from James Cameron, the “Avatar” films are like the “Lord Of The Rings” trilogy—keep ‘em comin’.