Among those in attendance was Spanish violinist, composer, and film director Jezabel Martínez Fabra, who offered high praise from her perspective as a professional musician and filmmaker.
Ms. Martínez graduated from the TAI Film and Television Academy in Madrid and has been active in film scoring, earning the SCIFE Award for Best Original Score at international festivals.
“I think this kind of artistry is needed in the world today—to restore harmony, beauty, elegance, and subtlety, which have been lost,” she said. “Fortunately, many nations have preserved the essence of their folk traditions. Listening to traditional music and watching traditional dance is like rekindling something within us—within our genes, our ancestral memory—and reliving it in the present.”
She also sensed a shared response among the audience. “I think the audience was fascinated. The energy in the air was palpable. I hope to see Shen Yun again, as I was genuinely enthralled. I hope this music and dance continue to inspire humanity for many years to come. Thank you immensely—it was truly magnificent.”
Ms. Martínez warmly commended this rare fusion. “I really appreciated it,” she said. “Coming from Celtic music, I’m familiar with blending Western instruments. For example, a string orchestra includes violin, viola, cello, and double bass, while Celtic music incorporates instruments like the bodhrán and the Irish flute. Here, it was wonderful to hear a Western orchestra integrated with an instrument I cherish—the erhu, also known as the Chinese violin.
She continued, “Traditional Chinese instruments, such as the guqin, are also beautiful. They share the same expressive quality as the violin, often called the instrument of the human soul.”
“During the final crescendos, as the tempo accelerated, the intensity she employed made it feel as though she and the instrument were no longer separate, but unified. She executed it phenomenally. This is the moment when an artist becomes one with the instrument—a magical state where there is no separation between mind, body, and sound, but complete harmony.”
She also spoke highly of the message conveyed by the performance. “It felt as though it spoke to everyone. It carries a universal message. That’s why I understand how it can be presented all over the world. It doesn’t need words to express itself—it conveys unity, harmony, tolerance, and above all, kindness through dance, imagery, and music.
“Everyone carries divinity within. I will remind myself of that and treasure it in my heart. It was a great honor to see this performance; it was truly breathtaking. As I left, I felt as though I were floating on clouds. Thank you all so much.”


















