DETROIT—On May 6, philosophy professor Philip Blosser attended Shen Yun Performing Art’s evening show at the Detroit Opera House.
“I was born in China. My mother went there as a medical nurse, and my father was a missionary—they met there and got married. [Shen Yun] was such a wonderful way [for me] to connect with that history.” he said.
“It was personal and very touching. I was deeply moved by the performance—so beautiful and just magnificent!”
Following the regime’s violent takeover in 1949, Chinese traditional culture underwent a period of mass destruction.
“So much is lost now, and it’s so sad. If it’s possible, I would like to go and see where I was born.”
The professor also enjoyed Shen Yun’s animated 3D backdrop and its seamless collaboration with the dancers on stage.
“That was very clever! I’ve never seen anything quite like that,” he exclaimed.
Mr. Blosser thought that was an important piece deserving of awareness.
“I’ve always been sympathetic with those who are persecuted,” he expressed.
“In my course, I teach my students the history of [communist rule], and they are mostly ignorant about [the oppressions]. I think it’s very important for them to learn what happened.”
Speaking of Shen Yun performers’ portrayal of spirituality, Mr. Blosser said, “It was very interesting.”
“A lot of these messages are very similar to what we see in [Christianity.] The themes of trouble in the world, redemption, judgment, mercy, and compassion. These are universal themes, and that’s what’s beautiful.”
