SHEN YUN PERFORMING ARTS REVIEWS

Shen Yun, ‘A Show That Does You Good,’ According to a Former School Inspector

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Shen Yun, ‘A Show That Does You Good,’ According to a Former School Inspector
Florence Saury and Jean-Marie Herrera at the Shen Yun performance at the Corum in Montpellier on March 9, 2026. NTD
Epoch Newsroom
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MONTPELLIER - Monday, March 9, marked the end of a series of ten performances by Shen Yun Performing Arts at the Corum in Montpellier. The next stop on Shen Yun’s 2026 tour in France will be Limoges, starting on March 12.

A brother and sister who attended the March 9 performance thoroughly enjoyed their experience.

“It’s a show that makes you feel good,” says Jean-Marie Herrera, a retired school inspector. “We come to see it because we saw the ad on TV, we think we’re going to be amazed, and we’re not wrong. It’s amazing, and it’s also quite captivating and moving. I had tears in my eyes at times.”

Florence Saury, a retired army accountant, shares her impressions: “It’s a very colorful, lively show that’s enjoyable to watch and very diverse. The scenes change regularly, it’s well presented, and I really liked it.”

The Shen Yun performance consists of a series of short dance scenes that present stories and legends from ancient China, as well as scenes inspired by different dynasties, regions, and ethnic cultures, offering a wide variety of styles and atmospheres.
Mrs. Saury particularly enjoyed “the funny moments,” which one does not usually expect to find in a classical Chinese dance performance.

“What I really liked was when the man turns into a monkey and then becomes a bit like a god,” she said.

“It’s true that the scene with the Monkey King is really well done,” adds his brother. “It’s surprising because it’s the first time we’ve seen the actor step out of the painting.”

Both refer to the episode ‘The Birth of the Monkey King,' a story based on one of the four classic novels of Chinese literature, “Journey to the West.”
Shen Yun uses a unique technique that combines animated digital projection with live dance, allowing characters to move between the real stage and the screen, creating the illusion of a universe where the virtual and real worlds merge.

“There’s humor, but there are also little moments where messages come across,” notes Mr. Herrera. “It’s clear that there are messages about choosing to do good. You reap what you sow.”

“And then we also learn about traditional Chinese dance,” he said. “We learn things, and we’re amazed by the dancers’ talent, because it’s both beautiful and harmonious. They give us something that makes us have a good time. I think it’s afterwards that we might realize certain things. At the time, we’re still overwhelmed with emotion.”

Jean-Marie Herrera sensed that there was a purpose behind the show.

“We think to ourselves, they want to convey something to us, they want to question us, they don’t want us to remain passive spectators, without reflection. So through something beautiful, they still lead us to ask ourselves questions. And in times like these, we understand that very well. In any case, it feels good.”

Based in New York, Shen Yun cannot perform in China because the communist regime considers the revival of traditional Chinese culture presented by the company to be a threat and therefore does not allow its performances in the country.

This aspect made an impression on Mrs. Saury.

“When [the presenter] says that in China, you couldn’t see a show like this, it makes you think about China, even today,” she admits.

In any case, she will recommend the show to those around her. “If only to have a good time, for the visuals alone. And then everyone will reflect on the scenes they see.”

Her brother noticed that there were children in the audience, which gave him the idea to bring his grandchildren to see Shen Yun.

“If I could take them, that would be good, even if they don’t understand everything. I think children are quite sensitive to certain things, and that they will naturally pick up on things.

“When you see something beautiful that makes you feel good, it’s nice to share it with your family. So yes, we would recommend it,” he said.

“We understood that just because we had seen one show didn’t mean we had seen everything ...” said the retiree, referring to the fact that Shen Yun produces a completely new show every year, with new choreography, new stories, new musical compositions, and new costumes.

Maryse and Gérard Olivé found Shen Yun “absolutely extraordinary” when they saw it at the Corum in Montpellier on the afternoon of March 9, 2026. (NTD)
Maryse and Gérard Olivé found Shen Yun “absolutely extraordinary” when they saw it at the Corum in Montpellier on the afternoon of March 9, 2026. NTD

A retired couple who used to run a shop had no idea they were in for such a fabulous show when they went to the Corum in Montpellier with tickets given to them by friends who couldn’t go.

“Absolutely extraordinary,” Gérard Olivé said. “It was beautiful and magnificent. They are more than professionals, they are absolutely fabulous.”

His wife Maryse Olivé adds: “It’s very moving, with all the colors, the harmony of colors, the extraordinary costumes, and of course the dancers’ skill. The orchestra too—I was amazed to see a live show with an orchestra like that.”

“You can see that this represents hours of work, it’s fabulous,” she said. “It’s extraordinary, there are no other words for it.”

Mrs. Olivé believes that Shen Yun’s message will continue to resonate with her long after the performance is over.

“I think it will take some time to reflect on it all,” she explains. “We are in awe of everything we have seen. We don’t yet have the perspective to reflect on it, but I think that will come later.”

“It’s something extraordinary to see,” Gérard Olivé repeats. “But really, I absolutely did not expect it. This show is magnificent.”

Reporting by Nathalie Dieul and translated from the French language Epoch Times by Sonia Rouleau.
The Epoch Times is a proud sponsor of Shen Yun Performing Arts. We have covered audience reactions since Shen Yun’s inception in 2006.
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