SHEN YUN PERFORMING ARTS REVIEWS

Hospital Director and Soprano Wife: Shen Yun Brings Us ‘The Good, Old China of the Past’

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Hospital Director and Soprano Wife: Shen Yun Brings Us ‘The Good, Old China of the Past’
Hospital director Haruaki Yamamoto and his wife, soprano Shinobu Yamamoto, attend Shen Yun Performing Arts at the Kamakura Performing Arts Center in Japan on April 18, 2026. Fujino Suguru/The Epoch Times
Epoch Newsroom
Updated:

KAMAKURA, Japan—On the evening of April 18, hospital director Mr. Haruaki Yamamoto and his wife, soprano Shinobu Yamamoto, attended the third performance of Shen Yun Performing Arts at the Kamakura Performing Arts Center in Japan. After the performance, the couple shared their reflections, expressing deep appreciation for the artistic excellence and the cultural depth presented on stage.

Mr. Yamamoto described the performance as a profound artistic experience rooted in history. “This is art—art cultivated over 5,000 years of history. Being able to follow it through the ages, I feel it was a truly enriching and educational experience for me,” he said. Mrs. Yamamoto echoed his sentiment, adding, “It was magnificent and incredibly beautiful! I was deeply moved.”

Based in New York, Shen Yun is the world’s premier classical Chinese dance and music company, with a mission to revive 5,000 years of China’s divinely inspired heritage and share with audiences the beauty of “China before communism.”

Mr. Yamamoto highlighted both the visual beauty and the clarity of storytelling. “First of all, the colors are beautiful, and the dancing is excellent. Furthermore, having heard the stories about the context of contemporary pieces beforehand, I was able to gain a deep understanding of it,” he said.

He also appreciated the program’s structure. “Each piece is introduced clearly in advance, so you can understand its meaning before the dance begins. I felt it was highly effective in helping me fully grasp the meaning behind them.”

He was also moved by the dancers’ dedication throughout the performance. “Spirit is infused into every single movement of the dance. I felt that this was not merely a display of physical prowess, but a performance in which each individual poured their very soul into their dancing,” he said.

Having previously visited China, Mrs. Yamamoto said she was especially drawn to the portrayal of traditional Chinese culture from before communism. “It was absolutely beautiful—simply stunning. The depth of history cultivated by the people made me like China even more,” she said. “I could sense the good, old China of the past. Seeing these dances again made me realize how remarkable China is, and deepened my appreciation for its traditional culture.”
She also praised Shen Yun’s live orchestra that accompanied the performance. “It was magnificent,” she said. “This isn’t just an ordinary orchestra. The collaboration between Chinese and Western instruments, incorporating elements like the erhu and instruments designed to mimic the sound of horses’ hooves, was superb.”
The erhu, known as the “Chinese violin,” is a traditional two-stringed Chinese bowed instrument with a 4,000-year history. Despite its simplicity, it often amazes Western audiences with its expressive range and remarkable ability to convey emotions.

Mr. Yamamoto concluded by expressing his hope to see the performance again. “If I have the opportunity, I would certainly love to see it again and continue watching. It feels like a dramatic portrayal of history repeating itself. I would very much like to come back and attend again,” he said.

Reporting by Fujino Suguru and Olivia Li.
The Epoch Times is a proud sponsor of Shen Yun Performing Arts. We have covered audience reactions since Shen Yun’s inception in 2006.
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