SHEN YUN PERFORMING ARTS REVIEWS

‘Exceptional and Magical’: Audience Blown Away by Shen Yun in Montpellier

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‘Exceptional and Magical’: Audience Blown Away by Shen Yun in Montpellier
Floréal Martinez shared his feelings about the Shen Yun performance he saw at the Corum in Montpellier on March 3, 2026. NTD
Epoch Newsroom
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MONTPELLIER, France—Exceptional, surprising, enchanting, magical, wonderful—these are just some of the words used by audience members to describe Shen Yun Performing Arts during its March 3 performance at Le Corum.

Happy to have purchased tickets that allowed him to see Shen Yun, Floréal Martinez, a former factory manager, shared his impressions of the classical Chinese dance and music performance.

“It’s absolutely exceptional, full of color,” he said.

He was particularly impressed by the interactive backdrop, which creates a spectacular effect: it acts like a magic window that extends the stage infinitely and allows artists to interact with animated landscapes, transporting the audience to other times and worlds.

“The 3D backdrop is magnificent, it’s wonderful, it’s magical, there’s no other word for it,” said Mr. Martinez, “because every moment you’re impressed by everything that’s happening on stage and everything that’s happening behind it. And the interaction between the stage and the 3D, frankly, it’s something I’ve never seen before.”

He also enjoyed the Shen Yun orchestra, with “this real music where you can really hear the Chinese sound coming through.”

Seated in the orchestra pit in front of the stage, Shen Yun musicians perform original music live to accompany each dance, combining classical Western and Chinese instruments.

“It’s quite impressive. You can’t see them. So sometimes it’s a little frustrating ...” said Floréal Martinez. “And then there’s the baritone who sang. There, the quality is very high.”

Shen Yun, based in New York, cannot perform in China because the show highlights traditional Chinese culture and also addresses topics related to freedom of belief, which are censored by the Chinese communist regime.

“What moved me a little, well, actually a lot, was the scene depicting the abuses taking place in China,” remarks Mr. Martinez about the painting “A Heart of Diamond.”

This performance depicts a contemporary reality experienced by hundreds of thousands of people in China due to the Chinese Communist Party’s brutal campaign to eradicate the Falun Dafa meditation discipline, also known as Falun Gong.

“It still affects me,” said Mr. Martinez. “It’s quite exceptional to say it and do it. And contrary to popular belief, these things really do happen.”

This makes him say, “I’m glad I bought my tickets and came to see this show.”

In conclusion, Mr. Martinez says he will recommend the show to many people in his circle, explaining what he saw and telling his friends who are waiting to hear his impressions of Shen Yun that “it’s going very, very well.”

Christine and Didier Boidin at the Corum in Montpellier on March 3, 2026, where they attended a performance of Shen Yun. (NTD)
Christine and Didier Boidin at the Corum in Montpellier on March 3, 2026, where they attended a performance of Shen Yun. NTD

Christine and Didier Boidin were also among the audience at the March 3 performance at the Corum in Montpellier. The retired couple already says they will return to see Shen Yun again.

“Surprising, I really enjoyed it, it was very varied,” said Didier Boidin, former head of operations for all Carlton hotels in Europe, for the luxury division. “I found it very professional in terms of the rigor and discipline of the dancers; it was impressive.”

“I would say it was magical,” said Christine Boidin, former executive secretary. “Absolutely magical, it was fabulous. I loved it.”

The music played by the Shen Yun orchestra is composed specifically for each dance to express the emotions of the story and support the dancers’ movements.

“It adds so much, having a live orchestra like this. It’s much more engaging, it’s wonderful,” said Mrs. Boidin.

“Musically, it was very good, very impressive, and the variety of instruments was also good,” said Mr. Boidin, appreciating the fact that the show was accompanied by a live orchestra rather than a recorded soundtrack.

The man who was director of the Carlton Hotel in Cannes from 1994 to 2005 enjoyed the “beautiful return to history” on stage.

“At one point, I thought it was an official Chinese ballet, but then I learned that it was a little different. And it’s good to look back on history,” he says. “It was a beautiful show.”
Shen Yun is indeed different from shows produced in China because it is created outside of China and can therefore freely present traditional Chinese culture without censorship by the communist regime.

As for the fact that Shen Yun cannot perform in China, Didier Boidin hopes, “Maybe one day.” Christine Boidin believes that “it’s a shame. We must remain hopeful.”

Mr. Boidin notes that the values conveyed by Shen Yun, those of China before the advent of communism, are “the same values we see here.”

“Respect for traditions, respect for elders, the connection to a somewhat unique universe—it’s very similar to what we find in other civilizations,” he believes.

For Mrs. Boidin, Shen Yun offers “a different perspective on society, a different way of expressing things, but it’s superb.”

“You absolutely must come, it’s something you have to see, because it’s worth it,” she said. “And of course, we’ll be back.”

Reporting by Nathalie Dieul and translated from the French language Epoch Times by Sonia Rouleau. 
The Epoch Times is a proud sponsor of Shen Yun Performing Arts. We have covered audience reactions since Shen Yun’s inception in 2006.
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