Suffolk, Sutton Hoo, and World War II

One of the greatest archeological sites of medieval treasures was unearthed in 1939.
Suffolk, Sutton Hoo, and World War II
The iron helmet with copper alloy fittings, silver, gold, garnet-lined eyebrows, and tin has become the symbol of Sutton Hoo. This photo shows the replica of the famous Sutton Hoo helmet. Ludovic Marin/Getty Images
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The Anglo-Saxon epic poem “Beowulf” describes a world of warriors and kings, feasts in great halls, magnificent treasures, and grand funerals. In Seamus Heaney’s translation, a ship burial is described thusly:

They stretched their beloved lord in his boat, laid out by the mast, amidships, the great ring-giver. Far-fetched treasures were piled upon him, and precious gear.

Historians long considered descriptions such as in this poem to be merely legend. The term “Dark Ages” was commonly used for the post-Roman period in Britain, as it was considered to be an era of civilizational decline. During this time, Germanic tribes migrated to Britain and eventually created seven Anglo-Saxon kingdoms in the region. They developed Old English, the earliest recorded form of the English language, but modern-day scholars knew little about their culture.
This interpretation changed on the eve of World War II in the county of Suffolk, England, when one of the greatest archeological sites of all time was discovered. It is called Sutton Hoo. The name comes from the Old English words “sut” and “tun,” which translates to “settlement,” and “hoh,” meaning the hill being shaped like a heel spur.

The Ship’s Burial Mound

The Sutton Hoo ship burial site was discovered in a mound on the estate of Edith Pretty in Suffolk, England. (Wirestock Creators/Shutterstock)
The Sutton Hoo ship burial site was discovered in a mound on the estate of Edith Pretty in Suffolk, England. Wirestock Creators/Shutterstock

The Sutton Hoo ship burial, resplendent with treasure revealing Anglo-Saxon craftsmanship and international trade, was uncovered in a mound on the estate of Edith Pretty. Pretty (1883–1942), a widow living with her young son, had long been fascinated by the earthen mounds a mere 500 yards from her house. There are around 18 low earth mounds; an exact number cannot be calculated due to erosion over the centuries.

In her youth, Pretty traveled the world and witnessed excavations, fostering a love of history. After consulting with a curator of a local museum, she appointed Suffolk amateur archaeologist Basil Brown (1888–1977), an expert in the area’s soil and geology, to investigate her property.

Brown and his team excavated Mounds 2, 3, and 4 during the summer of 1938, finding small items. They resumed activity a year later and turned their attention to the largest burial, Mound 1. Just three days in, an iron ship rivet was found. It was determined that it was part of a large ship burial. The ghostly imprint of the ship remained, despite its wood dissolving in the acidic soil. The body that was buried had since decomposed as well.

A 1939 photo still of of the Sutton Hoo ship-burial excavation by Harold John Phillips, brother of British archaeologist Charles Phillips. (Public Domain)
A 1939 photo still of of the Sutton Hoo ship-burial excavation by Harold John Phillips, brother of British archaeologist Charles Phillips. Public Domain

The significance of this led to professional archeologist Charles Phillips (1901–1985) of Cambridge University taking over leadership of the dig and bringing his own handpicked team. Brown continued to assist the endeavor. As England was on the brink of war with Germany, there was no time to source professional equipment, so the archeologists repurposed pastry brushes, bellows, and a coal shovel for their use.

The riches beneath the mound were revealed: An 88-foot-long ship with a burial chamber filled with precious objects that had escaped historic grave robbers. Dated to the early 600s, the findings confirmed Brown’s original assertion that it was the ship burial of a high-ranking Anglo-Saxon, not a Viking. The National Trust, which now manages the Sutton Hoo site, writes:

“In total, there were 263 finds of gold, garnet, silver, bronze, enamel, iron, wood, bone, textile, feathers and fur. Amongst the finds included … the iconic Sutton Hoo helmet – although, when this was excavated, archaeologists found only a series of its shattered fragments.”

A shoulder clasp (closed) was discovered in the Sutton Hoo ship-burial excavation. British Museum, London. (<a href="https://www.flickr.com/people/robroy/" target="_blank" rel="nofollow noopener">Rob Roy</a>/<a href="https://creativecommons.org/licenses/by-sa/2.5/deed.en" target="_blank" rel="nofollow noopener">CC BY-SA 2.5</a>)
A shoulder clasp (closed) was discovered in the Sutton Hoo ship-burial excavation. British Museum, London. Rob Roy/CC BY-SA 2.5
An inquest determined that Pretty was the rightful owner of the findings. In an act of extraordinary generosity, she gifted the entire trove to the British Museum. The first public display of the findings was held at the museum in early 1940, but the pieces were soon transferred to tunnels between London Underground stations for safe keeping due to WWII. After the Allied victory, they returned to the institution, where they are among the collection’s most famous works.

Riches Revealed

The reconstructed Sutton Hoo helmet at the British Museum, London. (Oli Scarff/Getty Images)
The reconstructed Sutton Hoo helmet at the British Museum, London. Oli Scarff/Getty Images

The iron helmet with copper alloy fittings, silver, gold, garnet-lined eyebrows, and tin has become the symbol of Sutton Hoo. Both beautiful and functional, it is a rare survivor of its kind from Anglo-Saxon England, as only three other complete helmets are known today. In the form of a face mask, the object’s complex decoration includes motifs of warriors and fearsome creatures. Together, the eyebrows, nose, and mustache depict the image of a dragon.

When the archeologists found it, the piece was very corroded and broken into more than 100 fragments. A replica was made by the Museum’s conservation team, and it is now displayed alongside the original restored helmet.

(L) The reconstructed Sutton Hoo shield is made with a metal rim and gilded copper alloy, gold and garnet fittings. (R) Silver bowls, with a cross-shaped design, were also found in the Sutton-Hoo excavations and are thought to be used for religious purposes. (Ludovic Marin/Getty Images)/ (David Winn-Morgan/Shutterstock)
(L) The reconstructed Sutton Hoo shield is made with a metal rim and gilded copper alloy, gold and garnet fittings. (R) Silver bowls, with a cross-shaped design, were also found in the Sutton-Hoo excavations and are thought to be used for religious purposes. (Ludovic Marin/Getty Images)/ David Winn-Morgan/Shutterstock

The deceased warrior was also buried with intricately made weapons, feasting vessels, and a lyre, as well as silver bowls, spoons and a platter from the Byzantine Empire, which was already a century old when interred. Interestingly, some of the silver items feature Christian elements, though the burial itself is a pre-Christian ritual. The burial’s purse contained 37 Frankish Merovingian gold coins brought over from continental Europe. (This was before the introduction of English coinage.) Each coin is from a different mint. They were a significant aid in dating the burial to around A.D. 625.

Gold belt buckle that was found in the Sutton Hoo burial site. (David Winn-Morgan/Shutterstock)
Gold belt buckle that was found in the Sutton Hoo burial site. David Winn-Morgan/Shutterstock
Another important item in the burial is a large gold belt buckle. Called “a masterpiece of early medieval craftsmanship” by the British Museum, it consists of over 400 grams of gold and niello, a black metal alloy used as an inlay for engraved designs on metal. The buckle features intricate zoomorphic ornamentation, such as intertwined birds, four-legged beasts, and snakes. These design motifs were popular with Germanic-speaking peoples of the period.

A huge Sutton Hoo shield, the most elaborate of its kind to survive, is also decorated with animals, including a bird-of-prey and a dragon. It may have been a Scandinavian diplomatic gift. The purse-lid, too, has animal motifs and is one of the items decorated with garnets. Recent scientific research has linked the gemstones to different international gem deposits, including Scotland and Sri Lanka.

An intricate gold, garnet, and millefiori (glasswork) purse-lid was excavated at Sutton Hoo. (<a title="User:Geni" href="https://commons.wikimedia.org/wiki/User:Geni">user:geni</a>/<a href="https://creativecommons.org/licenses/by-sa/4.0/deed.en" target="_blank" rel="nofollow noopener">CC BY-SA 4.0</a>)
An intricate gold, garnet, and millefiori (glasswork) purse-lid was excavated at Sutton Hoo. user:geni/CC BY-SA 4.0

Scholars have tried to pinpoint the identity of the person who merited such an impressive public funeral. It would have been extremely difficult to bring a ship uphill from the Suffolk River Deben as well as to dig a sizable trench and create a burial chamber. How such a feat was done remains unknown. The wealth inside, in terms of quality and quantity, leads to the conclusion that the deceased was a king. The prevailing candidate is Raedwald, ruler of the kingdom of East Anglia, which included modern-day Norfolk and Suffolk, of the Wuffingas dynasty.

A rectangular gold harness-mount, which consists of an upper plate fixed to a lower plate by three rivets at each end, was found at the Sutton Hoo burial site. (David Winn-Morgan/Shutterstock)
A rectangular gold harness-mount, which consists of an upper plate fixed to a lower plate by three rivets at each end, was found at the Sutton Hoo burial site. David Winn-Morgan/Shutterstock

Sutton Hoo is the richest intact burial ever found in northern Europe. This 1,400-year-old gravesite proved that Anglo-Saxons were highly skilled, worldly traders with a sophisticated culture. The Anglo-Saxon period laid the foundations for modern Britain. Its discovery right before WWII was declared is especially poignant as it became a symbol of national identity. This was captured in the beautifully filmed 2021 Netflix movie “The Dig.”

In a historic exchange, Sutton Hoo’s treasures will be lent to France in 2026 to 2027 in a loan agreement that will have the Bayeux Tapestry on display at the British Museum. This is a testament to how the spirit and stories of the people who made Sutton Hoo continue to resonate globally.
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Michelle Plastrik
Michelle Plastrik
Author
Michelle Plastrik is an art adviser living in New York City. She writes on a range of topics, including art history, the art market, museums, art fairs, and special exhibitions.