“I think in our modern times, trying to think about how to live together in a way that’s more supportive and uplifting and questioning what that means for us individually and as a community, the performance really helped us all ask those questions,” said Ryan Erickson, an engineer and vice president of a packing company.
“The world is changing and I think I see more and more mainstream discussion and exposure of the types of spiritual ideas that were conveyed. It wasn’t totally new to me. It was an interesting way to connect with that material,” said Mr. Erickson.
“I thought it was really neat how they were able to play with having characters be presented to the stage ... and then they would appear or withdraw. I thought that was a really cool way to stylize that, which I haven’t seen before,” commented Mr. Erickson.
“We had heard good reviews but came with an open mind and thought it was really fantastic. The performers are obviously very talented and well trained and seem like they enjoy performing, and that really comes through. And it was also nice to learn more culturally with the information and education throughout the show as well. It was really helpful,” said Mr. Erickson.Every year, Shen Yun draws from China’s 5,000 years of history to create an all new production.
Also in the audience was Chris Dennie, an attorney, and Jennifer Salinas, a parole officer.
“The things happening in China, as far as human rights, is always concerning. I know [Shen Yun is] not in China doing this and cannot, but I think it’s brave of them to bring this to the attention of the public like this. I’m sure it can’t be easy for many of the people involved with this production,” said Mr. Dennie.
“The storytelling is wonderful. I love the little bits of storytelling, and the integration with the screen and the effects. It really does enhance it. It really adds to the story because it makes it easier to follow. It’s so vibrant and vivid. That makes it really enjoyable,” said Mr. Dennie.
