SHEN YUN PERFORMING ARTS REVIEWS

Shen Yun Is ‘The Best Show That I Ever Seen,’ Says California Theatergoer

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Shen Yun Is ‘The Best Show That I Ever Seen,’ Says California Theatergoer
Mina Wahab (L) and Shatha Bakir enjoyed Shen Yun’s matinee at the Thousand Oaks Civic Arts Plaza on Feb. 1, 2026. Linda Jiang/The Epoch Times
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THOUSAND OAKS, Calif.—Reporter Mina Wahab and her mother, Shatha Bakir, a physician, attended Shen Yun Performing Arts’ matinee on Feb. 1 at the Thousand Oaks Civic Arts Plaza. Ms. Bakir was so eager that she brought binoculars, determined not to miss a single detail. The performance more than withstood close scrutiny.

“I really enjoyed it tremendously, and I recommend everybody to see it because the art and all the movement and everything—it must take them like months and months to train and be so coordinated,” she shared. “It is just fantastic. I really loved it.”

Founded in 2006 by elite Chinese artists who fled persecution, the New York-based Shen Yun is dedicated to reviving the beauty and virtues of China before communism.
Its production is comprised of a series of short pieces that takes its audience on a ride through the dynasties and across the vast regions of China. Using classical Chinese, folk, and ethnic dances, as well as solo musical performances, Shen Yun tells tales from ancient times to the modern day.

From the vibrant costumes to the dancers’ grace, Ms. Bakir enjoyed every element of the performance.

“It’s amazing, the colors, and every time you see a different outfit on the dancers,” she said. “All the embroidery, it is just fantastic.”

“The movement, the songs, the two singers, the pianist, the musician, it’s amazing. The lady with the [erhu] is amazing.”

The erhu is a 4,000-year-old Chinese instrument that mimics the human voice. Though it only has two strings, it is capable of expressing a wide range of emotions, resonating with the profound depths of the human soul.

If recordings weren’t prohibited, Ms. Bakir said she would have loved to use Shen Yun’s music for meditation.

“I love the music. [traditional China] had beautiful art—that’s what I love about it. I told myself I should enjoy and just relax because I never relax. It’s very relaxing music.”

Summing up her experience, Ms. Bakir said Shen Yun is “very nice.”

“It’s beautiful. It’s, honestly, the best show that I ever seen,” she added. The thought that the performers did a marvelous job. “The work they put [in] and the training, it’s worth every second of their time.”

Ms. Wahab also had a lovely time at the performance. She appreciated the live orchestra and the colorful costumes, as well as Shen Yun’s bilingual hosts, who gave a brief introduction before each piece to help audiences unfamiliar with Chinese history and culture to better understand the stories.

“It was really nice. The costumes were beautiful, the music was lovely. I loved the live orchestra, it was like beautiful,” she said. “I liked the storytelling in between, explaining what was happening, and the special effects in the background. Very cool, bringing the whole story together.”

“I loved [the story] showing the idea of helping people in need, even if those people are tricking you. There was the person who was pretending to be poor and in need of food, and then they found out that [he was lying], but the people still helped him regardless. I thought that was really nice too.”

Every piece was so beautiful that Ms. Wahab found it impossible to pick a favorite. A very memorable one for her was the piece where the dancers’ long sleeves billowed and flowed like the gentle movement of water on stage.

“The water sleeves—I just thought it was so beautiful and fluid, the way that you could see the fabric move. Every time there would be a new performance, I would look at the color combination and say, ‘Wait, this one is my favorite,’ then another one would come, and I'd be like, ‘No, this one is my favorite.’”

Reflecting on the spiritual themes and message of kindness, Ms. Wahab said these elements were precisely why she enjoyed Shen Yun so much.

“I love that part of the story when it was talking about [what’s important] is not the worldly things, because at the end of the day, it’s about the Creator and the divine, and how this [world] is just a temporary stage, and about reincarnation and the divine coming to earth,” she shared.

“I thought that was so important, showing the modern-day people on their phones and how that contrasts with the tradition—There’s something much greater than all of this [physical world], and people forget about that.”

Reporting by Linda Jiang and Jennifer Tseng.
The Epoch Times is a proud sponsor of Shen Yun Performing Arts. We have covered audience reactions since Shen Yun’s inception in 2006.
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