SHEN YUN PERFORMING ARTS REVIEWS

Acclaimed Musical Director Is Enchanted With Shen Yun’s Orchestra and Music

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Acclaimed Musical Director Is Enchanted With Shen Yun’s Orchestra and Music
Warren David Wills and Stephanie Chen attended Shen Yun Performing Arts at the the Melbourne Convention and Exhibition Centre, Plenary Theatre on March 7, 2026. Jing Li/The Epoch Times
Epoch Newsroom
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MELBOURNE, Australia—The air was filled with anticipation at the Melbourne Convention and Exhibition Centre, Plenary Theatre on March 7.

Many were impressed with the artistic excellence of the Shen Yun Performing Arts performance, including Warren David Wills, a composer and musical director, and Stephanie Chen, a musician.

“It’s a beautiful initiative. It’s got so many good things going for it,” Mr. Wills said.

Shen Yun features a live orchestra with both Western and Eastern instruments, including the erhu, suona, and pipa.

“It was beautiful,“ Mr. Wills said. ”Every now and again, from the pit, from the orchestra pit, you hear the erhu, which is so uniquely expressive to Chinese culture, from the way it glissandos, as opposed to a Western vibe. It’s a completely different sound.”

With his deep background in music, Mr. Wills urged young people to expand their musical horizons.

“Unless you say, ‘Wow, look, it’s a big world. There’s all sorts of other music,’ you'll spend the rest of your life only listening to pop music or classical music, or whatever your zone is,” he said.

“There’s instruments like the erhu, the suona, and the pipa [to appreciate.] I loved the erhu solo.”

Mr. Wills has worked with many theater companies, including the Royal Shakespeare Company in England. From a theatrical perspective, he was impressed with the patented digital backdrop that interacts with performers as they jump in and out of the heavenly landscapes.

“The CGI is very good. Is it going to dominate, monopolize, and pull focus and attention? It doesn’t. It’s good. It serves its purpose. It’s a nice setting. We get little tricks of jumping in and out, and it’s all good. The storytelling in the choreography is beautiful. And you have so many rich, wonderful stories,” he said.

Traditional Stories

Ms. Chen was entranced by the dance dramas, especially “The Origin of the Monkey King.”

“I love the mythical stories of Sun Wukong, you know, “Journey to the West.” I grew up with that. It’s really awesome to see it on the projector,” she said.

Ms. Chen also has a musical background. “I’m a musician myself. I play the Chinese flute.”

“It’s really clever how the whole thing is done, how you can climb through the screen and jump over it. It’s very energetic and awesome. It makes the audience very pumped up. The CGI, I think it’s very beautiful. It’s very touching and very emotional, too. I grew up loving Chinese music and instruments, too,” she said.
This year, Shen Yun celebrates 20 years of performing on the world stage; Mr. Wills said, “It’s great it has been going that long.”

Universal Culture

It’s been said that Chinese civilization is divinely-inspired and offers messages for modern society, which Mr. Wills liked.

“To me, the message is: It’s one humanity. It’s not a collection of different bits and pieces. We need to behave as one humanity, and embrace one humanity, and accept one humanity,” he said.

Mr. Wills noted how Chinese traditional values are similar to those of other cultures. “There’s enormous similarities between Chinese traditional values and Jewish traditional values. We need to celebrate what makes us unique, and we need to celebrate our commonalities—the things that join us.”

A dance piece set in modern times, “The Steadfast Heart” depicts the persecution of Falun Gong believers who are killed so their organs can be harvested. Mr. Wills wants to see this end.

Mr. Wills said, “Everyone should be free culturally to express themselves. It’s incumbent on all of us to ensure that we can create the conditions for it to happen.”

“Water Sleeves” especially impressed Mr. Wills, considering his experience in theater. “I’m going to do some choreography work with these costumes. I’ve got to get some of these costumes with those long sleeves.”

Mr. Wills said he would recommend Shen Yun. “Happily, happily. Yes. It’s accessible. Who’s not going to like the costumes? They’re beautiful, and the choreography is wonderful. It’s lovely. The stories: I don’t know any of these stories. It’s only by attending events like this that you hear stories about this dynasty and this king did this. It’s great. We should all share our stories.”

“We have lovely Chinese dancers, and we have lovely Chinese costumes, and the CGI is beautiful,” he said. “The dancing I loved. I loved the storytelling side of it. I loved the two musical moments where we could actually hear a Chinese singer express herself in that way, and the erhu player doing the solo.”

Reporting by Jing Li and Yvonne Marcotte.
The Epoch Times is a proud sponsor of Shen Yun Performing Arts. We have covered audience reactions since Shen Yun’s inception in 2006.
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