Theater Review: ‘Off the Meter, On the Record’

Theater Review: ‘Off the Meter, On the Record’
John McDonagh in this one-man show “Off the Meter, on the Record.” Carol Rosegg
Updated:

NEW YORK—John McDonagh has never delivered a baby in the back seat of his cab, but he’s come close. Mixing the hilarious with the bittersweet in his one-person show, “Off the Meter, On the Record,” he looks back on his 35 years of driving a taxi in New York City as seen from the front seat and rearview mirror. This engaging production runs on all cylinders at the Irish Repertory Theatre.

The son of Irish immigrants, McDonagh got his hack license in the mid-1970s. It was intended to be a temporary gig, but as the years and decades went by, he still found himself behind the wheel. He did switch to the day shift as soon as he could, as the night was much more dangerous.

Judd Hollander
Judd Hollander
Author
Judd Hollander is a reviewer for stagebuzz.com and a member of the Drama Desk and Outer Critics Circle.
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