The Irish Repertory Theatre’s “The Dead, 1904” returns to the American Irish Historical Society for its second year and will hopefully become a holiday tradition.
Playwright Laoisa Sexton’s “The Pigeon in the Taj Mahal” offers a compelling contrast between modern pleasure seeking and old-fashioned kindliness.
Under Ciarán O'Reilly’s probing direction, Conor McPherson’s evocative “Shining City” can be said to delve into the very souls of its participants.
The Irish Repertory Theatre’s current revival of Conor McPherson’s “The Weir” is its greatest contribution to Theater—with a capital T.
If we don’t take a chance sometimes in life, are we doomed to live with regrets?
The Irish Repertory Theatre’s “The Dead, 1904” returns to the American Irish Historical Society for its second year and will hopefully become a holiday tradition.
Playwright Laoisa Sexton’s “The Pigeon in the Taj Mahal” offers a compelling contrast between modern pleasure seeking and old-fashioned kindliness.
Under Ciarán O'Reilly’s probing direction, Conor McPherson’s evocative “Shining City” can be said to delve into the very souls of its participants.
The Irish Repertory Theatre’s current revival of Conor McPherson’s “The Weir” is its greatest contribution to Theater—with a capital T.
If we don’t take a chance sometimes in life, are we doomed to live with regrets?