The Best of Times, The Worst of Times: Robert Louis Stevenson’s Short Story ‘The Clockmaker’

The Best of Times, The Worst of Times: Robert Louis Stevenson’s Short Story ‘The Clockmaker’
"Composition With a Mantel Clock With Vases," 1821, by François-Léonard Dupont-Watteau. Public Domain
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In his short story “The Clockmaker,” Robert Louis Stevenson presents a case in which amoeba contemplate their own existence and that of the grand being who rewinds the clock in the room. Some of the amoeba doubt the Clockmaker, while others believe that the Clockmaker is real and a benevolent being. Stevenson points out that faith and doubt are very real forces battling for dominance.

The Neglected Carafe

A large carafe of water sits on the table in a particular room in a particular house. The maid hasn’t emptied or cleaned this carafe in a month and it, therefore, has given life to a civilization of amoeba.

This civilization grows and, though each amoeba doesn’t live very long, they seek to better their lives by better understanding their existence. Amoeba philosophers, scientists, poets, and theologians contemplate the civilization, the carafe they live in, the room which surrounds them, the chimney, the mantlepiece, and, above all, the clock, which rests on the mantlepiece.

One amoeba philosopher posits “The Room Theory,” which acknowledges that “[t]he room [is] not filled with drinking water; neither [are] its walls of the same substance as the table cloth.” This philosopher takes his belief even further and believes that “[i]n the animalcular Kosmos there was one feature of superlative abnormality: the clock, with its pendulum, its dial, and its hands.” His belief in the room hinges upon the clock, its rough consistency, its accuracy, and its changing face.

Its study of the clock supports its belief in the Clockmaker, for, in the early formation of the amoeba civilization, an earlier generation of amoeba saw the Clockmaker enter the room. Unlearned amoeba describe the incident in these words: “In the old cannibal days ... an animalculae of unheard-of bigness came through the wall; he had the sun in one claw; the movement of his swimming shook the whole caraffe; and before going out again, he did something to the clock.”

Photo portrait of Robert Louis Stevenson, 1893, by Henry Walter Barnett. State Library of New South Wales. (Public Domain)
Photo portrait of Robert Louis Stevenson, 1893, by Henry Walter Barnett. State Library of New South Wales. Public Domain

The Best of Times, the Worst of Times

From this evidence and its other deductions, the philosopher believes that the clock serves as the active and evident voice and evidence of the Clockmaker. However, while many believe the philosopher’s Clockmaker claims and create a religion out of it, others doubt him and the Clockmaker.

A huge debate between belief and disbelief in the Clockmaker, theism and atheism, and faith and doubt arises among the amoeba civilization. Nevertheless, whether they are believers or not, all amoebas must face facts when the Clockmaker returns to the room.

Through this story, Stevenson shows not only the importance of faith and belief over doubt and cynicism, but also the fact that amoeba don’t have the best reasoning powers. He creates a dialogue, through the amoebas, in which he comically contemplates the human debate about faith and a higher Being.

Stevenson’s story echoes Charles Dickens’s words in “A Tale of Two Cities”:

“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair.” Yet, despite this shifting, changing debate, Stevenson seems to encourage belief over doubt, light over darkness.

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Kate Vidimos
Kate Vidimos
Author
Kate Vidimos holds a bachelor's in English from the liberal arts college at the University of Dallas and is currently working on finishing and illustrating a children’s book.