Magic Worlds: The Life and Works of John William Waterhouse

This Pre-Raphaelite artist reimagined Greek, Shakespearean, and Arthurian heroines for subsequent generations.
Magic Worlds: The Life and Works of John William Waterhouse
"The Decameron," 1916, by John William Waterhouse. Lady Lever Art Gallery, Liverpool, England. Public Domain
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Hanging above my work desk is a painting of a young woman standing beside a wind-tossed sea. Her deep teal dress matches the teal of the waves curling and crashing toward the rocky shore. They are driven by the same powerful wind that scatters her rich-red hair about her face. She’s gazing out to sea, where a magnificent galley is floundering and splitting in the storm as it’s flung against jagged, ebony cliffs. You can almost feel the gale blowing toward you, carrying the scent of another world.

This is John William Waterhouse’s painting “Miranda,” which depicts a key character from Shakespeare’s “The Tempest.” The name Miranda was invented by Shakespeare, and it means “to be wondered at.”

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Walker Larson
Walker Larson
Author
Before becoming a freelance journalist and culture writer, Walker Larson taught literature and history at a private academy in Wisconsin, where he resides with his wife and daughter. He holds a master’s in English literature and language, and his writing has appeared in The Hemingway Review, Intellectual Takeout, and his Substack, The Hazelnut. He is also the author of two novels, “Hologram” and “Song of Spheres.”