Theater Review: ‘Pacific Overtures’

“Pacific Overtures” clearly shows how the Japanese culture suffered with the forced entry of other cultures, but this new condensed version is far more nuanced.
Theater Review: ‘Pacific Overtures’
(L–R) Steven Eng, Megan Masako Haley (background), and Ann Harada in a scene from the Classic Stage Company’s production of “Pacific Overtures.” Joan Marcus
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NEW YORK—Change, be it good or bad, is always inevitable. The secret is never losing sight of who you are during the process, a lesson at the heart of the 1976 musical “Pacific Overtures,” currently being given a stirring revival at Classic Stage Company. The work looks at East-West relations from the Japanese point of view.

In 1853, the empire of Japan has been happily isolated from the rest the world for over two centuries. The people are content with their lives, and any foreigner who dares to venture there is immediately put to death.

A musical highlight is the absolutely delightful 'Someone in a Tree.'
Judd Hollander
Judd Hollander
Author
Judd Hollander is a reviewer for stagebuzz.com and a member of the Drama Desk and Outer Critics Circle.
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