LITTLE ROCK, Ark.—Stephen Landford, a painter, and Patty Jolliff, a former teacher, saw Shen Yun Performing Arts at Robinson Center on Feb. 24.
“It made me very interested. I didn’t know that Chinese culture dated back 5,000 years, and I thought that was fascinating,” Mr. Landford said.
“I noticed in particular how the women walk—they’re just like water,” Mr. Landford said, observing a technique that female dancers use in classical Chinese dance called yuan chang.
Without speaking, Shen Yun’s dancers communicate through their movements. The expressive nature of classical Chinese dance makes it easy for audience members to follow the storyline.
“Obviously, so much of it is dance, and it doesn’t depend on understanding the language. There’s this commonality, this common sense of movement. And I was noticing things that transcend culture in terms of visual statements—when somebody’s proud, when somebody’s sad, when somebody’s in love—the dancers were able to convey that clearly.
“I loved it. I thought that the cultural combination of the instruments enhanced the whole thing. It really did. The music was very important,” said Ms. Jolliff, who now makes glass art.
Shen Yun’s use of its digital backdrop is patented. The versatility of the technology allows the set to change scenes in the blink of an eye, giving the stage endless possibilities.
“I find it interesting where they were able to do the screen, and the people come down from the screen and pop off the screen, and all of a sudden, they’re on stage. It actually sort of ties the old and the new together,” Mr. Landford observed.

















