Rewind, Review, and Re-Rate: ‘Michael Clayton’: Big Corporation Kills Its Own Lawyer

Mark Jackson
1/23/2021
Updated:
1/23/2021
Hollywood gets significant cinematic mileage, both documentaries and regular movies, out of storylines involving big corporations covering up devious dealings with cancer-causing chemicals. Similar to 1993’s “The Fugitive” and 2000’s “Erin Brockovich” before it, 2007’s legal suspense thriller “Michael Clayton” is an outstanding example of the genre.
Henry Clayton (Austin Williams, L) and dad Michael Clayton (George Clooney) have a heart-to-heart, in "Michael Clayton." (Warner Bros.)
Henry Clayton (Austin Williams, L) and dad Michael Clayton (George Clooney) have a heart-to-heart, in "Michael Clayton." (Warner Bros.)

Tinker-Tailor-Soldier-Spy Clayton?

Michael Clayton (George Clooney) is a highly skilled “fixer” (or “janitor” by his description) for law firm Kenner, Bach, and Ledeen. He’s also a bagman (delivering illegal cash payments), former litigator, legal adviser, and dad. As his detective brother Gene (Sean Cullen) says, the cops think Michael’s a lawyer, the lawyers think Michael’s a cop, but Gene thinks Michael’s a card-gambling pain in the neck who asks for favors that sometimes jeopardize his own law enforcement career. But Michael’s the man when it comes to exploiting connections, legal loopholes, and cleaning up the law firm’s extracurricular messes.
Gene Clayton (Sean Cullen, L) and brother Michael Clayton (George Clooney) argue about whether Michael's got his life together, in "Michael Clayton." (Warner Bros.)
Gene Clayton (Sean Cullen, L) and brother Michael Clayton (George Clooney) argue about whether Michael's got his life together, in "Michael Clayton." (Warner Bros.)

We meet Michael one dreary, early winter morning, driving country back roads. He’s worn out and world-weary. He sees three horses on a hill, stops his car, goes up to wonder at their stark simplicity and beauty—and then his car explodes. That’s the cinematic prelude.

Divine intervention, it seems, saves the life of Michael Clayton (George Clooney), in "Michael Clayton." (Warner Bros.)
Divine intervention, it seems, saves the life of Michael Clayton (George Clooney), in "Michael Clayton." (Warner Bros.)

Michael leads a jam-packed, nonstop life of problem-solving for the high-profile law firm he works for. He eventually gets entangled in a multimillion-dollar class-action lawsuit covering up damaging evidence against U-North, an agricultural conglomerate. U-North is one of his firm’s clients, which in turn has in its employ the type of soulless legal counsel who hires assassins on the sly.

Mr. Verne (Robert Prescott) discusses lethal options with attorney Karen Crowder (Tilda Swinton), in "Michael Clayton." (Warner Bros.)
Mr. Verne (Robert Prescott) discusses lethal options with attorney Karen Crowder (Tilda Swinton), in "Michael Clayton." (Warner Bros.)

Babysitting

Michael’s main gig is currently trying to contain the walking, talking disaster Arthur Edens (Tom Wilkinson): a brilliant, manic-depressive lawyer who’s stopped taking his medication.
Arthur Edens (Tom Wilkinson, L) and Michael Clayton (George Clooney) argue about the state of Arthur's mental health, in "Michael Clayton." (Warner Bros.)
Arthur Edens (Tom Wilkinson, L) and Michael Clayton (George Clooney) argue about the state of Arthur's mental health, in "Michael Clayton." (Warner Bros.)
In his subsequent state of clarity, Arthur has suddenly enlightened to the fact that by defending one of U-North’s clear, tasteless, lethal liquid products, he has become, in his own words, “Shiva, the God of Death,” and he wants out. It’s a great role for Wilkinson, who gets to deliver over-the-top, dramatic, off-his-meds antics, like stripping naked in a filmed deposition, to the massive mortification of his colleagues.
Off-his-meds bipolar lawyer Arthur Edens (Tom Wilkinson) has a moment of clarity, in "Michael Clayton." (Warner Bros.)
Off-his-meds bipolar lawyer Arthur Edens (Tom Wilkinson) has a moment of clarity, in "Michael Clayton." (Warner Bros.)

Further complicating things is cold, lizard-like U-North litigator Karen Crowder (Tilda Swinton), who needs to make the flailing loose end that is Arthur Edens go away.

Lawyer Karen Crowder (Tilda Swinton) realizes that Arthur Edens is a loose end that needs tying up, in "Michael Clayton." (Warner Bros.)
Lawyer Karen Crowder (Tilda Swinton) realizes that Arthur Edens is a loose end that needs tying up, in "Michael Clayton." (Warner Bros.)

Why? She’s found out via hired henchmen that Arthur got his hands on a confidential document that could utterly destroy U-North. She tells her U-North CEO (Ken Howard) this fact, and then, unbeknownst to said boss, she hires the henchmen to start unpacking the more deadly solutions in their arsenal.

(L–R) Arthur Edens (Tom Wilkinson) and assassins Mr. Iker (Terry Serpico) and Mr. Verne (Robert Prescott),  in "Michael Clayton." (Warner Bros.)
(L–R) Arthur Edens (Tom Wilkinson) and assassins Mr. Iker (Terry Serpico) and Mr. Verne (Robert Prescott),  in "Michael Clayton." (Warner Bros.)
Michael eventually starts investigating Arthur’s sudden death, and the facts eventually come to light, resulting in a breathtaking cobra-versus-mongoose verbal entrapment finale between Clayton and Crowder, giving the audience the climatic payoff they’ve been waiting for.

Hasn’t Aged in 14 Years

Only the flip-phones look outdated. “Michael Clayton” takes the narrative ploy of starting out close to the end, backtracking to the beginning, telling the story forward to that opening scene, and then cruising to the end from there.
Tilda Swinton plays a soulless litigator caught in her own lies in "Michael Clayton." (Warner Bros.)
Tilda Swinton plays a soulless litigator caught in her own lies in "Michael Clayton." (Warner Bros.)

It’s a very effective storytelling method. By presenting a puzzle piece at the outset, it immediately engages the audience’s subconscious in keeping an eye out throughout the entire film for where that scene fits in.

Director Tony Gilroy (who previously wrote the “Jason Bourne” trilogy) gives the audience something that never gets old: George Clooney at the top of his game, delivering an ambiguously scrupled, brooding hero who always manages to stay a step ahead. “Michael Clayton” is a high entertainment value drama-thriller filled with exceptional acting and clever dialogue, and bookended by a volatile ending that matches its explosive beginning.

The U-North CEO (Ken Howard, L) shouts for Michael Clayton (George Clooney) to stop, in "Michael Clayton." (Warner Bros.)
The U-North CEO (Ken Howard, L) shouts for Michael Clayton (George Clooney) to stop, in "Michael Clayton." (Warner Bros.)

“Michael Clayton” landed a total of seven Oscar nominations. Tilda Swinton took home a win, but both Clooney and Tom Wilkinson were both well-deserving of their nominations.

Michael Clayton Director: Tony Gilroy Starring: George Clooney, Tom Wilkinson, Tilda Swinton, Sydney Pollack, Michael O'Keefe Running Time: 1 hour, 59 minutes Rating: R Release Date: Oct. 12, 2007 Rating: 4 out of 5 stars
Mark Jackson is the chief film critic for The Epoch Times. In addition to the world’s number-one storytelling vehicle—film, he enjoys martial arts, weightlifting, Harley-Davidsons, vision questing, rock-climbing, qigong, oil painting, and human rights activism. Mark earned a bachelor's degree in philosophy from Williams College, followed by a classical theater training, and has 20 years’ experience as a New York professional actor, working in theater, commercials, and television daytime dramas. He recently narrated the Epoch Times audiobook “How the Specter of Communism is Ruling Our World,” which is available on iTunes and Audible. Mr. Jackson is a Rotten Tomatoes-approved film critic.
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