Made for the Devout: The Gloriously Colorful World of Hispanic Sacred Sculptures

Made for the Devout: The Gloriously Colorful World of Hispanic Sacred Sculptures
“The Mystical Marriage of St. Catherine,” 1692–1706, by Luisa Roldán. Polychromed terracotta; 14 3/8 inches by 17 3/4 inches by 11 5/8 inches by 32 1/4 inches. The Hispanic Society Museum & Library
Lorraine Ferrier
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Unpainted stone, marble, or bronze sculptures dominate Western sacred art, largely thanks to Renaissance giants such as Donatello and Michelangelo, Baroque sculptor Gian Lorenzo Bernini, and neoclassical sculptor Antonio Canova. Therefore, when we think of sacred art, polychrome sculptures may not be at the forefront of our minds—unless we’ve spent time in Latin America or the Iberian Peninsula, that is, Spain or Portugal.

In the Hispanic world, sacred sculptures are polychromatic—colorfully painted. Each piece is purposefully infused with intense emotions, gestures, and vitality—all explicitly designed to teach Scripture and to inspire contemplation and devotion to God. Believers developed intimate relationships with these sublime, functional pieces.

Lorraine Ferrier
Lorraine Ferrier
Author
Lorraine Ferrier writes about fine arts and craftsmanship for The Epoch Times. She focuses on artists and artisans, primarily in North America and Europe, who imbue their works with beauty and traditional values. She's especially interested in giving a voice to the rare and lesser-known arts and crafts, in the hope that we can preserve our traditional art heritage. She lives and writes in a London suburb, in England.
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