A Bunch of Fabergé Cut Flowers 

How Fabergé’s fine craftsmen made ornamental flowers appear real.
A Bunch of Fabergé Cut Flowers 
Imperial Lilies of the Valley Basket, 1896, by House of Fabergé (workmaster August Wilhelm Holmstrom). Yellow and green gold, silver, nephrite, pearl, and rose-cut diamond; 7 1/2 inches by 8 1/2 inches by 5 7/8 inches. Matilda Geddings Gray Foundation. Public Domain
Lorraine Ferrier
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When auctioneer and antiques expert Charles Hanson set off for work in the summer of 2018, little did he know that he’d stumble upon the find of a lifetime.

It was in his Hampton Court office in South West London that a well-heeled lady presented Hanson with a cardboard box containing two hardstone flower ornaments: a barberry twig and a convolvulus vine (morning glory). “Inside, wrapped in an old tea towel, was the holy grail of what an auctioneer can expect only in their wildest of dreams—not one, but two, Fabergé flowers,” Hanson said in a press release. “The enormity of such finds cannot be underestimated. Such works are the rarest of Fabergé’s craftsmanship and are very special.”

Lorraine Ferrier
Lorraine Ferrier
Author
Lorraine Ferrier writes about fine arts and craftsmanship for The Epoch Times. She focuses on artists and artisans, primarily in North America and Europe, who imbue their works with beauty and traditional values. She's especially interested in giving a voice to the rare and lesser-known arts and crafts, in the hope that we can preserve our traditional art heritage. She lives and writes in a London suburb, in England.