
What Happens
Eight years ago, the terrible airline hijacking of Royal Jordanian flight 127 in Vienna by Islamic terrorists from Chechnya killed more than 100 passengers and crew members aboard a grounded jetliner.The movie opens with the CIA just having learned from one of the former terrorists that the attack was due to a mole in the Viennese station, who sabotaged the rescue attempts. Since the entire affair had naturally resulted in a major political embarrassment for the United States’ top intelligence agency at the time, the matter needs resolving.

Henry Pelham (Pine) is brought in by Vienna station boss Victor Wallinger (Laurence Fishburne), who sends him to investigate two of his former colleagues. If this was “Apocalypse Now,” Pelham would be encouraged (if his interrogation does indeed turn up an office mole) to “terminate with extreme prejudice.”

Flying Around, Doing Interviews
There are many flashbacks, coinciding with a bunch of current jet-setting: London, Moscow, Washington, Vienna, and Carmel, California. But first up, Henry confronts his former superior, Bill Compton (Jonathan Pryce), in a London pub. Compton’s aghast to have his loyalty and integrity called on the carpet, but while his story appears to check out, it also raises a red flag or two.
“We drank a toast to innocence We drank a toast to now And tried to reach beyond the emptiness But neither one knew how
“She said she'd married her an architect Who kept her warm and safe and dry She would’ve liked to say she loved the man But she didn’t like to lie.”
But when all is said and done, what’s at stake is not a reunion but a deadly investigation, and things gradually get more measured and calculated. It’s always impressive, the memory for details and subtleties that former spies are still in command of. But one eventually begins to wonder, who’s investigating who here?
All in All
While on the surface of it, “All the Old Knives” is a thriller-whodunit, there’s very little James Bond-ness. The movie spends so much time examining the state of Henry and Celia’s romance before, during, and after the incident that it’s effectively a tragic romance, and it succeeds as such because of the potent chemistry between Pine and Newton. This is some of Newton’s best work yet, and Pine has grown a world-weariness in both “The Contractor” and “All the Old Knives” that is starting to nudge him toward Cary Grant territory.Why their affair ended is the main topic of the film, and when the answer is finally revealed, it’s really not so much shocking (it’s maybe slightly shocking for non-spies) as it is tragic. What’s truly shocking is the concept of how love could end up being responsible for a massive number of deaths. In a nutshell, “All the Old Knives” is a prime example of why it’s never a good idea for fellow CIA agents to fall head over heels in love.
