Theater Review: ‘The Roundabout’: Revived British Parlor-Comedy Is Simply Outdated

Theater Review: ‘The Roundabout’: Revived British Parlor-Comedy Is Simply Outdated
(L–R) Steven Blakeley and Emily Laing in J.B. Priestley’s “The Roundabout,” Carol Rosegg/Brits Off Broadway at 59E59 Theaters)
Mark Jackson
Updated:

History has proven communism to be categorically the most deadly form of government ever; it has collectively killed approximately 150 million humans to date.

So it can safely be said that breezy debates about the virtues of communism versus capitalism, in a high-twit-factor, three-act, moldy British drawing-room comedy—already so second-rate in its inception that it’s only being revived now, after its abandonment in 1932—is hardly the place to do the topic justice.

The only thing to report on Brits on Broadway’s production here is the laugh meter of this recently discovered comedy by J.B. Priestley (of “An Inspector Calls” fame), which runs through May 28 at 59E59 Theaters. Does it amuse? Will it leave you in stitches? Is it worthwhile?

If you pine nostalgically for the era of spatterdashes and top hats, you'll enjoy "The Roundabout" immensely.
Mark Jackson
Mark Jackson
Film Critic
Mark Jackson is the chief film critic for The Epoch Times. In addition to film, he enjoys martial arts, motorcycles, rock-climbing, qigong, and human rights activism. Jackson earned a bachelor's degree in philosophy from Williams College, followed by 20 years' experience as a New York professional actor. He narrated The Epoch Times audiobook "How the Specter of Communism is Ruling Our World," available on iTunes, Audible, and YouTube. Mark is a Rotten Tomatoes-approved film critic.
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