The Boy Marquess and the Woman Artist in the Italian Renaissance

A young lady portraitist captures the young Massimiliano Stampa II (the third marquess) of Soncino, a small city in northern Italy.
The Boy Marquess and the Woman Artist in the Italian Renaissance
A detail of "Portrait of Marquess Massimiliano Stampa," 1557, by Sofonisba Anguissola. The Walters Art Museum, Baltimore. Public Domain
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A sensitive portrait of a dignified boy graces the galleries of the Walters Art Museum in Baltimore, Maryland.

Depicted in full length, the boy stands straight, with one arm resting gently on a stately white column decorated with marble inlays. Other than the fine lace that peeks out at the collar and the cuffs, he is clad entirely in a black satin fabric, fashionable in Italian Renaissance courts. The gloves in his hand, the ring on his pinky, and the shiny metallic sword hanging around his waist signify his aristocratic status and a lifestyle defined by martial virtue and the pleasure of hunting, which is further reinforced by the faithful dog sleeping at his feet.

Da Yan
Da Yan
Author
Da Yan is a doctoral student of European art history. Raised in Shanghai, he lives and works in the Northeastern United States.
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