Artistic Technique and Spiritual Cultivation: East Meets West

In an Interview with painter Shao-Han Tsai, he talks about his panel in the triptych “The Infinite Grace of Buddha.”
Artistic Technique and Spiritual Cultivation: East Meets West
A detail from the right panel of "The Infinite Grace of Buddha" by Shao-Han Tsai. NTD International Figure Painting Competition
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Of the many masterful works entered in the Sixth NTD International Figure Painting Competition, the silver award-winning “The Infinite Grace of Buddha” stood out as particularly impressive. Each panel of the triptych, an artwork in three sections, was painted by a different artist: Hung-Yu Chen, Yuan Li, and Shao-Han Tsai.
The monumental right panel of the triptych, painted by Taiwanese artist Mr. Tsai, depicts the ageless theme of eternal punishment. At the top of the panel, a semicircle of Buddhas recede into saturated clouds while a golden wheel presses down, emanating rays of light that penetrate the darkness. Below, an embroiled whirlwind of tortuous figures are plunged into the burning abyss that opens in boundless oceans.
Da Yan
Da Yan
Author
Da Yan is a doctoral student of European art history. Raised in Shanghai, he lives and works in the Northeastern United States.