Opera Review: Gounod’s ‘Roméo et Juliette’

“Roméo et Juliette” is now back at the Metropolitan Opera, starring the German soprano Diana Damrau and the Italian tenor Vittorio Grigolo.
Opera Review: Gounod’s ‘Roméo et Juliette’
Vittorio Grigolo as Roméo and Diana Damrau as Juliette have tremendous chemistry in “Gounod's “Roméo et Juliette.” Ken Howard/Metropolitan Opera
Barry Bassis
Updated:

NEW YORK—Shakespeare’s “Romeo and Juliet” has inspired orchestral works, ballets, Broadway musicals, jazz pieces, and numerous films. Charles Gounod’s adaptation is his most performed work, after “Faust”; it is also the most popular operatic adaptation of the Bard’s play, for though Vincenzo Bellini’s “I Capuleti e i Montecchi” is worthy, it is based on Italian sources. Gounod’s “Roméo et Juliette” is now back at the Metropolitan Opera, starring the German soprano Diana Damrau and the Italian tenor Vittorio Grigolo. 

The leads have been described as opera’s hottest couple—onstage, that is, which may last longer than the real thing. Their onstage chemistry became apparent when they appeared together at the Met in Massenet’s “Manon” in 2015.

Soprano Diana Damrau as Juliette is superb throughout. (Ken Howard/Metropolitan Opera)
Soprano Diana Damrau as Juliette is superb throughout. Ken Howard/Metropolitan Opera
Barry Bassis
Barry Bassis
Author
Barry has been a music, theater, and travel writer for over a decade for various publications, including Epoch Times. He is a voting member of the Drama Desk and the Outer Critics Circle, two organizations of theater critics that give awards at the end of each season. He has also been a member of NATJA (North American Travel Journalists Association)
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