Love, in Sickness and in Health, Springs Forth From Rembrandt’s Floras

Love, in Sickness and in Health, Springs Forth From Rembrandt’s Floras
A detail of “Saskia With the Red Flower,” 1641, by Rembrandt. Oil on oak; 38 3/4 inches by 32 1/2 inches. Old Masters Picture Gallery, Dresden State Arts Collection. Public Domain
Lorraine Ferrier
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Rembrandt sketched, drew, and painted his beloved wife, Saskia, throughout their marriage—in sickness and in health, right until her death parted them. He depicted her in every way he could. In his artworks, we see Saskia the woman, wife, mother, and muse. We see her disheveled upon waking; laughing with her husband; and as majestic Minerva, the ancient Roman goddess of wisdom, to name a few depictions.

Rembrandt’s three paintings of Saskia as Flora, the ancient Roman goddess of spring and fertility, reflect the seasons of Rembrandt’s marriage and the transience of life—from the first buds of their honeymoon to her blossoming pregnancy and to her untimely death.

Lorraine Ferrier
Lorraine Ferrier
Author
Lorraine Ferrier writes about fine arts and craftsmanship for The Epoch Times. She focuses on artists and artisans, primarily in North America and Europe, who imbue their works with beauty and traditional values. She's especially interested in giving a voice to the rare and lesser-known arts and crafts, in the hope that we can preserve our traditional art heritage. She lives and writes in a London suburb, in England.
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