Heroic Arthur: Medieval Images of the Mythic King

In medieval Europe, accounts of King Arthur and his court were the most popular, after the Bible, and the king was also depicted in tapestries and manuscripts.
Heroic Arthur: Medieval Images of the Mythic King
Detail of "King Arthur ” (from the “Nine Heroes Tapestries”), circa 1400–1410, South Netherlandish. The Cloisters, The Metropolitan Museum of Art, New York City. Public Domain
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King Arthur has captured the public’s imagination for centuries. Drawing on Welsh poetry and folktales from the late A.D. 500s to early 600s, cleric Geoffrey of Monmouth wrote the first major medieval historical account of Arthur in his “History of the Kings of Britain.”

This mid-12th-century book codified the basic foundation of Arthurian legend, which subsequent authors, in the Middle Ages and beyond, expanded upon in an array of chronicles featuring retellings and spin-offs. Narrative secular accounts of King Arthur and his court at Camelot became so widespread among all social classes that they were the most popular text, after the Bible, in medieval Europe. During this period, King Arthur was depicted in many media, including tapestry and manuscript paintings.

‘Nine Heroes Tapestries’

The Met Cloisters, known globally for its famous “Unicorn Tapestries” series, houses another medieval textile cycle that also exemplifies the artistic pinnacle of this medium. The “Nine Heroes Tapestries” is one of the oldest surviving tapestry works that dates to the Middle Ages, and it features a stunning depiction of King Arthur as one of the heroes.
Michelle Plastrik
Michelle Plastrik
Author
Michelle Plastrik is an art adviser living in New York City. She writes on a range of topics, including art history, the art market, museums, art fairs, and special exhibitions.
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