Adelheid Wette probably had no inkling that the little fairytale she was revising for her children would evolve into an opera that would become a global holiday tradition. The German fairytale “Hänsel und Gretel,” originally published in 1812 by the Brothers Grimm, was a dark, violent story about two children intentionally abandoned by their mother and father in a deep forest, where a terrible, children-eating witch lived. Wette greatly softened the plot.
In Wette’s version, the frazzled, poor mother sent her children into the forest to pick strawberries for dinner. Wette added a kindly sandman, 14 angels, and a Dew Fairy to transform the dark and scary piece into one in which good triumphs over evil.