Film Review: ‘Supremacy’ Is a ‘Clockwork Orange’ Therapy for Death Row White Supremacists

The story for “Supremacy” was based on a real-life death row inmate who was slated to die, according to director Deon Taylor, around the time of the 2014 film premiere. California hadn’t performed an execution since 2006.
Film Review: ‘Supremacy’ Is a ‘Clockwork Orange’ Therapy for Death Row White Supremacists
Aryan Brotherhood leader Sobecki (Anson Mount) being interrogated in prison. Well Go USA
Mark Jackson
Updated:
White supremacy may be breathing its last. Yes, the Aryan Brotherhood is a cancer in the U.S. prison system, and some folks in the Deep South and the Pacific Northwest may still hope to say “Don’t let the sun set on you…” before they draw their last breath. (Most Americans know how to fill in that blank.)
But by and large, “white” America’s gotten pretty “black” since the 1960s (not to mention Jamaican). White men dance and jump, blond dreadlocks are a thing, and Larry Bird was the most dangerous trash-talker in the NBA. Amy Winehouse’s jazz-singing and Joss Stone’s soul-singing sound black, 60, and Southern, except they’re white, 27, and British. And some black folks ride Harleys and swear by country music. The racial brew in the global melting pot has done a lot of melting. Still quite a ways to go though.
Mark Jackson
Mark Jackson
Film Critic
Mark Jackson is the chief film critic for The Epoch Times. In addition to film, he enjoys martial arts, motorcycles, rock-climbing, qigong, and human rights activism. Jackson earned a bachelor's degree in philosophy from Williams College, followed by 20 years' experience as a New York professional actor. He narrated The Epoch Times audiobook "How the Specter of Communism is Ruling Our World," available on iTunes, Audible, and YouTube. Mark is a Rotten Tomatoes-approved film critic.
Related Topics