Beyond Botticelli’s Venus: Transcendent Classical Beauty

Beyond Botticelli’s Venus: Transcendent Classical Beauty
Detail of “Venus Pudica (‘Modest Venus’),” circa 1485–1490, by Botticelli. Oil on canvas; 62 1/4 inches by 27 inches. Art Gallery, State Museums of Berlin, Berlin. BPK, Berlin, Dist. RMN-Grand Palais/Jörg P. Anders
Lorraine Ferrier
Updated:

The graceful figure of Venus poised in her shell, as depicted by Renaissance master Sandro Botticelli, is so synonymous with beauty that even those unfamiliar with art can recognize her, such is her fame. What is less well-known are his paintings of the Madonna that share similar qualities of classical beauty.

Throughout the Renaissance, artists referenced the ancient classics. Art historian E.H. Gombrich writes in his book “The Story of Art” that people were “so convinced of the superior wisdom of the ancients that they believed these classical legends must contain some profound and mysterious truth.”

Lorraine Ferrier
Lorraine Ferrier
Author
Lorraine Ferrier writes about fine arts and craftsmanship for The Epoch Times. She focuses on artists and artisans, primarily in North America and Europe, who imbue their works with beauty and traditional values. She's especially interested in giving a voice to the rare and lesser-known arts and crafts, in the hope that we can preserve our traditional art heritage. She lives and writes in a London suburb, in England.
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