Belle da Costa Greene: The Morgan Library’s Medieval Manuscripts

The Morgan Library & Museum celebrates its inaugural director and her selection of superlative medieval manuscripts.
Belle da Costa Greene: The Morgan Library’s Medieval Manuscripts
A copy of St. Beatus of Liébana's “Commentary on the Apocalypse,” circa 945, by San Salvador de Tábara, Spain. Among the greatest medieval Spanish illuminations, the manuscript was acquired by Belle da Costa Greene for the Morgan Library in 1919. Courtesy of The Morgan Library & Museum
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The Morgan Library & Museum in New York City is renowned for its world-class collection of medieval illuminated manuscripts. The funds for amassing these works came from the banking and industrial fortunes of J.P. Morgan and, after his death, his son. But the mastermind behind the acquisitions was Belle da Costa Greene—a pioneering librarian in taste, knowledge, and biography.

Greene’s contribution to the museum is being celebrated in The Morgan’s special exhibition “Belle da Costa Greene: A Librarian’s Legacy,” on view through May 4. It marks the library’s centenary as a public institution, and a highlight of the show is the selection of superlative medieval manuscripts on display.

Morgan’s Mastermind

Michelle Plastrik
Michelle Plastrik
Author
Michelle Plastrik is an art adviser living in New York City. She writes on a range of topics, including art history, the art market, museums, art fairs, and special exhibitions.