Behold the Beauty: Flora’s Perpetual Spring 

A myth woven into a Gobelins tapestry celebrates the joys of love, at the Cleveland Museum of Art. 
Behold the Beauty: Flora’s Perpetual Spring 
A detail of “Flora and Zephyrus (from a ‘Set of Ovid's Metamorphoses’),” 1704–1731, by Gobelins Manufactory, Paris. Tapestry weave; 127 3/4 inches by 116 1/8 inches. Gift of Mrs. Matthias Plum; Cleveland Museum of Art, Ohio. Public Domain
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Spring is here. “Spring it is that clothes the glades and forests with leaves ... and the meadows ungirdle to Zephyrus’s [the West Wind’s] balmy breeze; the tender moisture avails for all,” wrote the ancient Roman poet Virgil in his “Georgics.”
For centuries, artists have depicted mythological themes, such as Zephyrus, god of the west winds, and his wife Flora, in frescoes, paintings, sculptures, tapestries, furniture, and even snuffboxes.Ancient Pompeii artists frescoed the couple’s wedding. In the Renaissance, Sandro Botticelli (circa 1445–1510) captured Zephyrus’s balmy breeze along with more than 138 plants in his tempera painting “Primavera.” One of the last masterpieces that the Sun King, Louis XIV (1638–1715), commissioned was the dynamic marble sculpture “Zephyr, Flora, and Love” by Philippe Bertrand, René Frémin, and Jacques Bousseau. 
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Lorraine Ferrier
Lorraine Ferrier
Author
Lorraine Ferrier writes about fine arts and craftsmanship for The Epoch Times. She focuses on artists and artisans, primarily in North America and Europe, who imbue their works with beauty and traditional values. She's especially interested in giving a voice to the rare and lesser-known arts and crafts, in the hope that we can preserve our traditional art heritage. She lives and writes in a London suburb, in England.