Prussian American Severin Roesen (1816–circa 1872) helped make still-life painting blossom in mid-19th-century America. The artist emigrated with his wife, along with a wave of Prussians during the German Revolutions of 1848 and 1849. Mainly working in Williamsport, Pennsylvania, he established himself as one of the artists who introduced the tradition of still life flower painting to the country, painting more than 300 works.
Roesen’s bountiful still life paintings burst forth with ripe fruit and often fanciful floral bouquets, such as in “Flower Still Life With Bird’s Nest.” In this piece, he rendered a glistening glass vase, and bugs and butterflies that hover among familiar leaves, and blooms, including cabbage rose, camelia, chrysanthemum, daylily, delphinium, German iris, lilac, morning glory, nasturtium, peony poppy, pincushion flower, pink tea rose, primrose, Queen Anne’s lace, red and white rosa mundi, striped tulip, all topped with a crown imperial. It’s a fanciful arrangement, as some of these flowers don’t blossom simultaneously in nature.





