Theater Review: ‘The Two Gentlemen of Verona’

The Fiasco Theater Company’s sprightly and engaging presentation of “Two Gentlemen of Verona” is a joy to watch.
Theater Review: ‘The Two Gentlemen of Verona’
(L–R) Actors Zachary-Fine, Paul-L-Coffey, Noah-Brody, and Andy Grotelueschen double as musicians in the Fiasco Theater Company’s rendition of "The Two Gentlemen of Verona." Gerry Goodstein
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NEW YORK—“The Two Gentlemen of Verona” is one of William Shakespeare’s earliest plays, and it shows. The piece lacks much of the texture, depth, and nuances evident in his later efforts. Fortunately, Fiasco Theater’s sprightly and engaging presentation at Theatre for a New Audience is quite a joy to watch.

Valentine (Zachary Fine) and Proteus (Noah Brody), the two gentlemen of the title and best friends since childhood, have come to a parting of the ways. Valentine prepares to leave for the court at Milan, while Proteus stays behind to woo his beloved Julia (Jessie Austrian).

Just as Proteus’s and Julia’s passion for one another begins to grow, his father (Andy Grotelueschen) orders him to join Valentine in Milan. The young man’s joy at seeing his friend again is tempered by the despair of being parted from his love.

Upon arriving in Milan, Proteus finds that Valentine, who had previously dismissed any idea of romance, has now succumbed to love. His object of desire is Sylvia (Emily Young), daughter of the Duke of Milan (Grotelueschen).

Fiasco Theater solves many of the script's weaknesses by focusing on the versatility of the actors.
Judd Hollander
Judd Hollander
Author
Judd Hollander is a reviewer for stagebuzz.com and a member of the Drama Desk and Outer Critics Circle.
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