Theater Review: ‘The Mark of Kane’: Clash of Batman’s Creators Makes for Riveting Drama

Theater Review: ‘The Mark of Kane’: Clash of Batman’s Creators Makes for Riveting Drama
Bill Finger on the sofa (Todd Wojcik-foreground) reflects on his difficulties as writers in silhouette tell the story in flashbacks (L–R): Sheldon Moldoff (David Valeta), Arnold Drake (Adam Bitterman), Jerry Robinson (Lee Kanne), and historian Jim Steranko (Michael Sherwin) in “Mark of Kane.” Steve Graue
Updated:

CHICAGO—In early 1939, the success of the Superman comic book hero prompted editors of National Comics Publications to request more superheroes.  So, when ambitious freelance illustrator Bob Kane came up with the idea of a superhero to rival Superman, he envisaged a Batman wearing a red suit and boots, two stiff black wings, and a black mask.  He thought that red and black would be a good combination.

Kane’s former schoolmate Bill Finger, came up with an alternative vision. He thought the costume was too bright and suggested removing the red sections of the original costume, giving the character a cape instead of wings, and adding gloves.

Betty Mohr
Betty Mohr
Author
As an arts writer and movie/theater/opera critic, Betty Mohr has been published in the Chicago Sun-Times, The Chicago Tribune, The Australian, The Dramatist, the SouthtownStar, the Post Tribune, The Herald News, The Globe and Mail in Toronto, and other publications.
Related Topics