Mind-Blowing Portraits Made With Fire and Blades on Wood—Check Out the Hyperrealistic Details: PHOTOS

Mind-Blowing Portraits Made With Fire and Blades on Wood—Check Out the Hyperrealistic Details: PHOTOS
(Courtesy of Alex Peter Idoko Arts)
4/5/2023
Updated:
4/12/2023

A self-taught Nigerian artist with a passion for representing his culture has found a unique way to use fire and blades on wood to render incredibly hyperrealistic portraits.

Alex Peter Idoko, 30, is based in Abuja, Nigeria, and has been practicing art for 23 years, 15 professionally. He describes his field as “surrealism and hyperrealism” and over the years has mastered the art of pyrography, otherwise known as writing with fire.

Talking to The Epoch Times, Idoko said that he finds inspiration from his environment and happenings around the world. “I interpret them through the vision of my imagination,” said the artist, who developed a love for drawing at a very tender age.

Artist Alex Peter Idoko draws hyperrealistic portraits on wood with fire and blades. (Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
Artist Alex Peter Idoko draws hyperrealistic portraits on wood with fire and blades. (Courtesy of Alex Peter Idoko Arts)
(Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
(Courtesy of Alex Peter Idoko Arts)

Idoko said the skillful use of fire is fundamental to bringing realism to his artworks and that “this approach comes naturally” to him as he has mastered it over the years. The artist renders portraits measuring anything between 1-by-1 feet and 5-by-5 feet in size. Large pieces can take up to six weeks to complete.

Sharing one of his favorite artworks “Isoken” on Instagram, he wrote that all the ups and downs, hardships, failures, and victories we have tasted so far in our lives have left us with experiences that have shaped us to be “the people we are now.”

“The same way that fire refines and purifies gold, it also refines and purifies art,” he wrote. “That’s how I envision my creative process when I bring my subject to life to create an artwork.”

The passionate artist produces each hand-drawn portrait by first identifying a subject and sketching his idea on paper. He then sets to work preparing and cutting the wood, translating his sketch onto this new surface, and bringing the subject to life with a fine blowtorch and blades.

The artwork "Isoken" in the making. (Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
The artwork "Isoken" in the making. (Courtesy of Alex Peter Idoko Arts)
"Isoken." (Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
"Isoken." (Courtesy of Alex Peter Idoko Arts)
"Isoken." (Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
"Isoken." (Courtesy of Alex Peter Idoko Arts)
Watch Idoko working on the artwork “Isoken”:
(Courtesy of Alex Peter Idoko Arts)

The artwork “Isoken” is a fire and pastel on wood portrait that also uses a “Ghana Must Go” shopping bag as the material for the women’s shirts. “The piece speaks of life and the pathway we go through. Life is a journey and we are a compendium of our experiences,” he told The Epoch Times.

Another of Idoko’s favorite pieces is “Onyoche,” a portrait of a beautiful woman in regal clothing rendered with fire, blades, and charcoal on wood. The artist uses a comb in the woman’s hair “to show that Africans were indeed capable of producing all things needed to run their society, and also had beauty gadgets that fit their beauty standards and suit their skin and hair types.”

The artwork "Onyoche" in the making. (Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
The artwork "Onyoche" in the making. (Courtesy of Alex Peter Idoko Arts)
(Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
(Courtesy of Alex Peter Idoko Arts)
(Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
(Courtesy of Alex Peter Idoko Arts)
"Onyoche": The completed artwork. (Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
"Onyoche": The completed artwork. (Courtesy of Alex Peter Idoko Arts)
Watch the making of “Onyoche”:
(Courtesy of Alex Peter Idoko Arts)
Watch the making of the artwork “Princess of Toro”:
(Courtesy of Alex Peter Idoko Arts)
Idoko, who is inspired by the artists Àsìkò and Salvador Dali, showcases his work on Instagram and Facebook, has exhibited at galleries in Nigeria, New York, and London, and has a network of collectors who buy his art. Yet he is under no illusion that he has reached the pinnacle of his craft.

“I understand the power of consistency, learning and relearning, skill-building, and personal development. These were what made my art improve over time,” he said.

“The grace of God has been a part of it, too.”

Check out some more of Idoko’s work below:
An artwork illustrating the end of COVID-19 pandemic. (Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
An artwork illustrating the end of COVID-19 pandemic. (Courtesy of Alex Peter Idoko Arts)
"Emergence" (2021). (Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
"Emergence" (2021). (Courtesy of Alex Peter Idoko Arts)
(Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
(Courtesy of Alex Peter Idoko Arts)
(Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
(Courtesy of Alex Peter Idoko Arts)
Renaissance II. (2021). (Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
Renaissance II. (2021). (Courtesy of Alex Peter Idoko Arts)
"Princess of Toro": The full artwork. (Courtesy of <a href="https://www.facebook.com/alexpeterart">Alex Peter Idoko Arts</a>)
"Princess of Toro": The full artwork. (Courtesy of Alex Peter Idoko Arts)
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Louise Chambers is a writer, born and raised in London, England. She covers inspiring news and human interest stories.
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