Film Review: ‘White Fang’

Film Review: ‘White Fang’
A scene from "White Fang." Sundance Institute pro
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PARK CITY, Utah—Jack London’s bestselling animal adventure novel has been adapted as Japanese anime, a 1970s Italian franchise starring Franco Nero, a Disney live-action movie, a 1926 Hollywood silent featuring Strongheart the Dog, and a 1946 Soviet version Red Jack probably would have liked best. Clearly, the story’s popularity has never flagged, but the most visually accomplished take now happens to be a Francophone production (subsequently dubbed into English). The Yukon Territory is still a savage environment for London’s titular wolf-dog, but he will adapt and survive in Academy Award-winning animator Alexandre Espigares’s “White Fang,” which screens during this year’s Sundance Film Festival.

White Fang grew up under the watchful eye of his mother Kiche, a former sled dog gone wild. The winter has already been hard on the dogs, when an encounter with a lynx leaves Kiche badly injured. Nevertheless, White Fang will nurse her back to sufficient health for her to seek out and rejoin the pack dogs driven by Native trapper Grey Beaver. Although the other dogs resent White Fang’s strength and spirit, he will eventually claim his place as top dog. Unfortunately, he will also attract the unwanted attention of Beauty Smith, a nefarious dog-fighter intent on swindling him away from Grey Beaver.

Joe Bendel
Joe Bendel
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Joe Bendel writes about independent film and lives in New York City. To read his most recent articles, visit JBSpins.blogspot.com
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