For the bulk of his 40-year career Nicolas Cage has alternated between mainstream and art-house with relative ease. He’s collected big paychecks for the crowd-pleasers (“The Family Man,” “The Rock,” “Con Air,” “Face/Off,” the “National Treasure” franchise) so that he could afford to take lesser compensation for “deeper” ventures (“Red Rock West,” “Leaving Las Vegas,” “Adaptation,” “Mandy,” and “Pig”).
Film Review: ‘The Old Way’: Nicolas Cage Fails to Deliver in a Period Western
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