Film Review: ‘The Gentlemen’: Guy Ritchie Rests on Laurels and That’s Rather Fun

Mark Jackson
1/27/2020
Updated:
2/2/2020

Ever watch “Monster Bug Wars” on YouTube? There is no purer form of horror. These bug predators, the giant spiders, scorpions, centipedes, fangs, snares, jaws, venoms ... the scuttling ... “brrrrr!” The brain is the human predator’s main weapon. Remember “Braveheart,” where Uncle Argyle tells young William Wallace that he has to first learn to use his head before learning to wield the sword? “The Gentlemen"—writer and director Guy Ritchie’s latest offering—is about a pack of cunning human predators out-thinking each other. Then again, that’s generally what Guy Ritchie movies are about.

The Tarantino-ish Ritchie debuted in 1998, immediately establishing a genre all his own—the hilarious, tough-guy, low-life, manly crime caper, exclusively cast with Cockney-speaking Englishmen. “Lock, Stock, and Two Smoking Barrels” was first out of the gate, followed by “Snatch,” “Revolver,” and “RocknRolla”all of them hilarious.
Then, for Hollywood, “Sherlock Holmes,” “The Man from U.N.C.L.E,” “King Arthur: Legend of the Sword,” and “Aladdin.” The latter made a billion bucks. So now, as an established Hollywood player, Ritchie’s back to his roots with “The Gentlemen” and in fine, funny form, albeit with a slightly miscast Matthew McConaughey.
Michelle Dockery and Matthew McConaughey in "The Gentlemen." (Christopher Raphael/STX Films)
Michelle Dockery and Matthew McConaughey in "The Gentlemen." (Christopher Raphael/STX Films)

The Shenanigans

Mickey Pearson (McConaughey) is an ex-Rhodes scholar who converted his little college sideline (selling pot at Oxford) into a giant, underground (literally) weed empire. Literally underground because his farm is hidden underneath the high-class compounds of the British upper crust.

Pearson waxes self-righteous (in McConaughey’s inimitable, whistling Texas twang) to a heroin dealer: “My jam doesn’t kill anyone, and I like that.” Nevertheless, he’s tired of it all; he wants out and would like to sell his business to the slightly effeminate Matthew (Jeremy Strong).

But it couldn’t be that easy, because there would be no movie. So there’s a feeding frenzy that ensues: The Chinese and Russian mobs try to get their hands on Pearson’s pot, and so does Hollywood-bound tabloid reporter Fletcher (Hugh Grant), who attempts to extort Pearson’s right-hand man Ray (Charlie Hunnam from “Sons of Anarchy”).

The story is largely narrated to Ray, by Fletcher. He’s going to turn the whole story into a screenplay and sell it across the pond.

Charlie Hunnam (L) and Hugh Grant in Guy Ritchie’s “The Gentlemen.” (Christopher Raphael/STX Films)
Charlie Hunnam (L) and Hugh Grant in Guy Ritchie’s “The Gentlemen.” (Christopher Raphael/STX Films)

There are kidnappings, many loquatious mobster monologues, and a kangaroo of a plot. There’s plaid-tracksuit-wearing Colin Farrell as a mixed martial arts (MMA) coach (called Coach) to a group of also plaid-tracksuit-wearing Jamaican-English teens.

Coach is their mentor and attempts to give them direction. He’s perhaps the moral heart of the story. Farrell and his boys are the highlights of the film, along with the MMA crew’s social-media-posted reefer heist, replete with a dance number, parkour moves, and hilarious, catchy rapping about “boxes and boxes and boxes of bush.”

Colin Farrell (L) and Charlie Hunnam in Guy Ritchie’s “The Gentlemen.” (Christopher Raphael/STX Films)
Colin Farrell (L) and Charlie Hunnam in Guy Ritchie’s “The Gentlemen.” (Christopher Raphael/STX Films)
There’s Dry Eye (current rom-com king Henry Golding), an ambitious but not terribly bright up-and-coming gangster wannabe. There’s a tabloid editor (Eddie Marsan) who hires Fletcher to dig up dirt on Pearson.

Only One Misstep

McConaughey, still best known for his pot-addled townie Wooderson in “Dazed and Confused,” showed the world a deadly, scary side in 2011’s “Killer Joe,” which is most likely what Ritchie cast him for here. McConaughey extols the virtues of hemp; McConaughey is almost synonymous with all things weed.
(L<strong>–</strong>R) Henry Golding, Matthew McConaughey, and Charlie Hunnam star in Guy Ritchie's “The Gentlemen.” (Christopher Raphael/STX Films)
(LR) Henry Golding, Matthew McConaughey, and Charlie Hunnam star in Guy Ritchie's “The Gentlemen.” (Christopher Raphael/STX Films)

McConaughey can be both cold and vicious as well as charming, which is what Ritchie’s script calls for, but McConaughey’s missing the third necessary ingredient for this type of Ritchie role, namely—very funny. Although McConaughey can be very funny. But this was a Jason Statham role (who got his start in Ritchie films) if there ever was one.

Though slightly taken with itself, very Guy Ritchie-centric, this kind of tough-talking Brit miscreant tale smacks of the 1990s. And so a bit outdated. But we shouldn’t forget that when this genre was all the rage, it was Ritchie who put it on the map in the first place. The man can rest on his laurels if he wants to.

(L–R) Guy Ritchie directing Matthew McConaughey and Charlie Hunnam, who star in “The Gentlemen.” (Christopher Raphael/STX Films)
(L–R) Guy Ritchie directing Matthew McConaughey and Charlie Hunnam, who star in “The Gentlemen.” (Christopher Raphael/STX Films)
‘The Gentlemen’ Director: Guy Ritchie Starring: Matthew McConaughey, Charlie Hunnam, Hugh Grant, Jeremy Strong, Colin Farrell, Henry Golding, Michelle Dockery Rating: R Running time: 1 hour, 53 minutes Release Date: Jan. 24, 2020 Rated: 3.5 stars out of 5
Mark Jackson is the chief film critic for The Epoch Times. In addition to the world’s number-one storytelling vehicle—film, he enjoys martial arts, weightlifting, Harley-Davidsons, vision questing, rock-climbing, qigong, oil painting, and human rights activism. Mark earned a bachelor's degree in philosophy from Williams College, followed by a classical theater training, and has 20 years’ experience as a New York professional actor, working in theater, commercials, and television daytime dramas. He recently narrated the Epoch Times audiobook “How the Specter of Communism is Ruling Our World,” which is available on iTunes and Audible. Mr. Jackson is a Rotten Tomatoes-approved film critic.
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