Chinese Shan Shui Painting of the Ming and Qing Dynasties

Chinese Shan Shui Painting of the Ming and Qing Dynasties
A detail from "Lofty Mount Lu," 1467, by Shen Zhou. Hanging scroll with ink and color on paper, 76.3 inches by 38.6 inches. National Palace Museum, Taipei. Public Domain
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Stately mountains surrounded by flowing water—this is the essence of Chinese landscape painting, or “shan shui” (“mountain water”). Through its long development, the genre demonstrated the ancient Chinese belief that heaven and earth exist in harmony.

That ancient belief comes from Taoist philosophy which, in particular, influenced the art form: Tall, robust mountains reaching to the heavens represent yang, whereas soft, flowing water covering the earth represents yin. Situated together, these demonstrated the Taoist balance of yin and yang—essential in the design of the landscape painting. And against the backdrop of these magnificent forces of nature, humans were depicted as insignificant specks.

Mike Cai
Mike Cai
Author
Mike Cai is a graduate of the New York Fei Tian Academy of the Arts and the University of California–Berkeley.
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