Celebrating Rembrandt’s Important Pupil Beyond His Master’s Influence

Celebrating Rembrandt’s Important Pupil Beyond His Master’s Influence
Detail of "Christ Blessing the Children,"circa 1652–3, by Nicolaes Maes. Oil on canvas; 85 7/8 inches by 60 5/8 inches. The National Gallery, London. The National Gallery, London
Lorraine Ferrier
Updated:
In the painting “Christ Blessing the Children,” earthly browns and pockets of red dominate the divinely touching scene of Jesus blessing children whom their parents so eagerly present to him. 
The girl being blessed by Christ appears to hold an apple, perhaps symbolic of the original sin when Adam and Eve ate the forbidden fruit from the Tree of the Knowledge of Good and Evil. The girl seems distracted by something in the distance. As she appears to pull away from Christ, he gently pulls her toward his divine blessing. These subtle gestures allude to the fact that the sins inherent in the human world pull us away from our innate divinity. Only faith in the divine offers us salvation.
Lorraine Ferrier
Lorraine Ferrier
Author
Lorraine Ferrier writes about fine arts and craftsmanship for The Epoch Times. She focuses on artists and artisans, primarily in North America and Europe, who imbue their works with beauty and traditional values. She's especially interested in giving a voice to the rare and lesser-known arts and crafts, in the hope that we can preserve our traditional art heritage. She lives and writes in a London suburb, in England.
Related Topics