Theater Review: ‘The Sound and the Fury’

Combining the epic, intimate, and mundane, Elevator Repair Service brings to life the first chapter of William Faulkner’s “The Sound and the Fury.”
Theater Review: ‘The Sound and the Fury’
(L –R) Randolf Curtis Rand, Lucy Taylor, Aaron Landsman, and Rosie Goldensohn as they appear in “The Sound and the Fury,” with text by William Faulkner and production created and performed by Elevator Repair Service. Paula Court
Updated:

NEW YORK—Seamlessly combining the epic, intimate, and mundane, Elevator Repair Service continues their practice of bringing literary classics to life with the presentation of the first chapter of William Faulkner’s “The Sound and the Fury” now at the Public Theater.

The show program contains a quote from Shakespeare’s “Macbeth,” which reads in part, “It is a tale told by an idiot, full of sound and fury signifying nothing”—to which could be added “and everything” when applied to this production.

Spanning 1898 to 1928, the story focuses on the lives of the Compsons, a somewhat well-off Mississippi family, and the Gibsons, their African-American servants. In this chapter of the novel, everything that happens is seen through the eyes of the mentally challenged Benjy Compson (Susie Sokol, Aaron Landsman). Someone describes him as being 3 years old for 30 years.

Elevator Repair Service is able to slowly yet inexorably bring the audience into the story.
Judd Hollander
Judd Hollander
Author
Judd Hollander is a reviewer for stagebuzz.com and a member of the Drama Desk and Outer Critics Circle.
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