Public Theater

“Cyprus Avenue” offers a no-holds-barred look at bigotry, long-simmering hatred, and the damage that can result from refusing to let go of the past.

David Hare’s 1982 drama “Plenty” is receiving a laudable revival at the Public Theater, the site of the play’s first appearance in New York years ago.

Playwright Lynn Nottage puts a human face on a sadly all-too-familiar subject, the end of the American Dream, in “Sweat.”

“Dry Powder” offers an all-too-clear look at the world of high finance and the unfortunate realities that come with it.

The Public Theater’s absolutely brilliant production of William Shakespeare’s “Cymbeline” brings out the pathos and the hilarity of this lesser known play.

Combining the epic, intimate, and mundane, Elevator Repair Service brings to life the first chapter of William Faulkner’s “The Sound and the Fury.”

In “Straight White Men” playwright Young Jean Lee takes on an apparently conventional American father-son drama.

“Cyprus Avenue” offers a no-holds-barred look at bigotry, long-simmering hatred, and the damage that can result from refusing to let go of the past.

David Hare’s 1982 drama “Plenty” is receiving a laudable revival at the Public Theater, the site of the play’s first appearance in New York years ago.

Playwright Lynn Nottage puts a human face on a sadly all-too-familiar subject, the end of the American Dream, in “Sweat.”

“Dry Powder” offers an all-too-clear look at the world of high finance and the unfortunate realities that come with it.

The Public Theater’s absolutely brilliant production of William Shakespeare’s “Cymbeline” brings out the pathos and the hilarity of this lesser known play.

Combining the epic, intimate, and mundane, Elevator Repair Service brings to life the first chapter of William Faulkner’s “The Sound and the Fury.”

In “Straight White Men” playwright Young Jean Lee takes on an apparently conventional American father-son drama.