Theater Review: ‘The Purple Lights of Joppa, Illinois’

“The Purple Lights of Joppa, Illinois” is a powerful look at a man teetering on an abyss, his desperate efforts to keep his balance.
Theater Review: ‘The Purple Lights of Joppa, Illinois’
Mentally ill Ellis (William Apps) is constantly monitored by nurse Barrett (Connor Barrett, in the background), especially when he has visitors, such as young Catherine (Katherine Reis), in “The Purple Lights of Joppa, Illinois.” Ahron Foster
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NEW YORK—How can you move on from the sins and stigma of the past when you’re still trapped by their effects? It’s a question Adam Rapp brilliantly answers in his all-too-human drama “The Purple Lights of Joppa Illinois,” now at the Atlantic Theater Stage 2.

Ellis (William Apps), in his early 40s, is someone most people would basically ignore. He works at night buffing floors and appears somewhat slovenly dressed. He has an air of discomfort about him.

Yet today he is tucking in his shirt, making sure he’s wearing deodorant, and playing hip-hop music, which he obviously never listens to, much less understands. He is preparing to welcome two teenage girls into his apartment.

Monique (Susan Hayward) puts Ellis off rather quickly with her overbearing manner and habit of using foul language. Catherine (Katherine Reis), the younger and quieter of the pair, is content to observe things and people, particularly Ellis, before saying or doing much.

Revealing why the girls are present would tell too much of the plot, but suffice it to say there is a deep connection between one of them and Ellis. The other young lady is there for moral support, and is ready in case Ellis is unable to maintain his already precarious equilibrium.

Catherine (Katherine Reis) and Monique (Susan Hayward), in a scene from "The Purple Lights of Joppa Illinois." (Ahron Foster)
Catherine (Katherine Reis) and Monique (Susan Hayward), in a scene from "The Purple Lights of Joppa Illinois." Ahron Foster
Judd Hollander
Judd Hollander
Author
Judd Hollander is a reviewer for stagebuzz.com and a member of the Drama Desk and Outer Critics Circle.
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