Theater Review: ‘Oh, Hello on Broadway’

Filled with jokes and bits that are often politically incorrect and also occasionally unprintable, “Oh, Hello on Broadway” is a supremely enjoyable experience.
Theater Review: ‘Oh, Hello on Broadway’
(L–R) Gil Faizon (Nick Kroll) and George St. Geegland (John Mulaney) in “Oh, Hello on Broadway.” Joan Marcus
Updated:

NEW YORK—Perhaps the best way to describe Gil Faizon and George St. Geegland—the two characters likely more famous than actors Nick Kroll and John Mulaney who play them—is one part Muppet (as in Statler and Waldorf), one part quintessential New Yorker, and just one bit of off-kilter creepiness tossed in for good measure. The result is nothing short of hilarious, with no intention other than to make you laugh out loud.

Kroll and Mulaney are in tip-top form here, seamlessly embodying characters they created a decade ago, and previously seen on Comedy Central and Off-Broadway. This current incarnation, in “Oh, Hello on Broadway,” continues through Jan. 8 at the Lyceum Theatre.

Kroll and Mulaney are in tip-top form here.
Judd Hollander
Judd Hollander
Author
Judd Hollander is a reviewer for stagebuzz.com and a member of the Drama Desk and Outer Critics Circle.
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