Theater Review: ‘Hadestown’

The New York Theatre Workshop has a winner with Anaïs Mitchell’s absolutely brilliant folk opera “Hadestown.”
Theater Review: ‘Hadestown’
Eurydice (Nabiyah Be) and Orpheus (Damon Daunno) in the new folk opera, “Hadestown,” inspired by the Greek myth of poet who journeys to hell to retrieve his beloved. Joan Marcus
Updated:

NEW YORK—The New York Theatre Workshop has a winner with Anaïs Mitchell’s absolutely brilliant folk opera “Hadestown.” This immersive musical experience combines Greek mythology and elements of the 1927 film classic “Metropolis” to present a tale of star-crossed lovers forever bound by love and pain.  

Orpheus (Damon Daunno) is a young man with a singing voice so angelic it can make clouds part and stones weep. Falling in love with Eurydice (Nabiyah Be), he soon charms this somewhat cynical woman who knows full well how cruel the world can be.

But as their summer courtship turns to winter, and with Orpheus seemingly more interested in his songs than his new wife, Eurydice finds herself falling under the spell of Hades (Patrick Page), ruler of the underworld. Having become too fearful of the harshness of the world, she instead chooses death, believing Hades will provide for her for eternity.

Amber Gray as Persephone and Patrick Page as Hades in "Hadestown." (Joan Marcus)
Amber Gray as Persephone and Patrick Page as Hades in "Hadestown." Joan Marcus
Judd Hollander
Judd Hollander
Author
Judd Hollander is a reviewer for stagebuzz.com and a member of the Drama Desk and Outer Critics Circle.
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