Theater Review: ‘Chimerica’

For Americans, at least, British playwright Lucy Kirkwood’s “Chimerica” asks us what we really stand for in relation to China.
Theater Review: ‘Chimerica’
(L--R) Friends Zhang Lin (Norman Yap) and Joe Schofield (Coburn Goss) share beers and recall the day when the iconic “Tank Man” photo was taken. Lara Goetsch
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CHICAGO—While David Henry Hwang’s “Chinglish” amused us with misunderstandings between Chinese and American businesspeople, British playwright Lucy Kirkwood’s “Chimerica” has a different end in mind. For Americans, at least, she asks what we really stand for in relation to China. 

We are reminded that the Chinese Communist Party (CCP) simply beats up, tortures, or kills anyone who challenges its authority or strays too far from its distortion of facts to maintain a facade.

Photojournalist Joe Schofield (Coburn Goss) embarks upon a global quest to find the Tiananmen Square "Tank Man" in TimeLine Theatre's production of "Chimerica." (Lara Goetsch)
Photojournalist Joe Schofield (Coburn Goss) embarks upon a global quest to find the Tiananmen Square "Tank Man" in TimeLine Theatre's production of "Chimerica." Lara Goetsch
Sharon Kilarski
Sharon Kilarski
Author
Sharon writes theater reviews, opinion pieces on our culture, and the classics series. Classics: Looking Forward Looking Backward: Practitioners involved with the classical arts respond to why they think the texts, forms, and methods of the classics are worth keeping and why they continue to look to the past for that which inspires and speaks to us. To see the full series, see ept.ms/LookingAtClassics.
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