In the summer of 2024, award-winning producer Shooter Jennings began his residency at the historic Sunset Sound Studio in Hollywood. While there, he sifted through hundreds of tape recordings from various studios of his late father, country performer Waylon Jennings (1937–2002). He expected to find only a few to polish and release, but as he listened to each unpublished tune, he realized that his father had left behind three albums’ worth of material.
New Artistic Dimensions

The first of the trio of albums, “Songbird,” debuted in October 2025 and reintroduced fans to Waylon’s gritty, baritone voice and honest delivery. The original recordings took place between 1973 and 1984, a prolific era in country music. Marathon recording sessions were routine as the genre gained national popularity, and Waylon left behind a wealth of material.
Waylon recorded during the days of analog, when artists recorded onto physical tapes rather than through digital interfaces. Despite the current digital age, Shooter is carrying on the analog recording tradition, bringing its rich, warm texture to all 10 tracks featured on “Songbird.”
Waylon wrote a few of his own hits during his music career spanning four decades, from the 1950s to the budding years of the 21st century, but he was known as a gifted interpreter. The album’s track list acts as a musical time machine, taking listeners through some of the performer’s favorite covers from days gone by. Johnny Cash’s toe-tapping song “After The Ball” is included and is preceded by the languid Hank Williams Jr. classic “(I Don’t Have) Any More Love Songs.”
Waylon’s pop-country version of the title track, Fleetwood Mac’s “Songbird” from their critically acclaimed 1977 album, “Rumours,” kicks off the record. And a little more than halfway through the album, Waylon delivers a soulful version of the Jesse Winchester ballad “Brand New Tennessee Waltz.”
Shooter shared that it has been a joy discovering new artistic dimensions of his father’s work.
‘Comfort Music’

Though much of the album honors the raw essence of Waylon’s original recordings, when a song needed rounding out, Shooter brought in surviving members from his father’s faithful backing band, The Waylors, to add a few melodic touches. The Waylors’ guitarist Gordon Payne and bassist Jerry Bridges make appearances, as well as vocalist Carter Robertson and keyboardist Barny Robertson.
Pistol Annies’ singer Ashley Monroe and Grand Ole Opry singer Elizabeth Cook were also brought in as guest vocalists for the “Songbird” title track, adding harmonies and subtle backing vocals to give the cover depth.
For a healthy helping of nostalgia, the fluid sounds of a pedal steel guitar are heard throughout the record. It was a cornerstone instrument of country music during Waylon’s playing days.
The Project Continues

Though “Songbird” consists of covers, the selection offers a personal look into one of country music’s defining figures.
Shooter was complimented for the care he took in the album’s song selection. “Shooter does a great job carefully curating the music, and adding tasteful and unobtrusive additions respectful to their original era to complete them as ‘songs,’ even if he leaves loose ends at the beginning/ending of the recordings to keep their authentic and original aspect.”
Though two more albums featuring unreleased material are in the works, listeners are still waiting on an official release date for the second installment.
For now, country music fans will have to play “Songbird” on repeat.






