Shakespeare’s Globe: English Language’s Greatest Theater

Meet the “little wooden o,” better known as the Globe theater, which has hosted many of the Bard’s plays during its incarnations.
Shakespeare’s Globe: English Language’s Greatest Theater
In 2011, the Globe, rebuilt as the Globe Theatre, has since hosted Shakespeare festivals. Geo Swan/CC BY-SA 2.0
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Near the end of one of William Shakespeare’s final plays, “The Tempest,” in a speech that many scholars think expresses Shakespeare’s own farewell to the stage, the magician Prospero says,

These our actors, As I foretold you, were all spirits and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces,  The solemn temples, the great globe itself, Ye all which it inherit, shall dissolve  And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on, and our little life Is rounded with a sleep.

The speech offers deep reflection on the power of art, the transience of human life and works, and the ephemeral nature of theatrical performance.
It’s also a nod to the specific theater where Shakespeare and his acting company put on most of their performances: the Globe theater in London. This impressive structure had been home to a pageant of remarkable figures—Caesar, Brutus, Henry V, Richard III, Hippolyta, Cleopatra, fairies, spirits, lovers, jesters, scoundrels, sages, and prophets. The imaginative worlds Shakespeare created and the inhabitants of those worlds were housed inside the little wooden circle, the Globe. It was the world in microcosm.

The Globe’s Building and Rebuilding

The theater was constructed in 1599 by The Lord Chamberlain’s Men, Shakespeare’s acting company, of which he was part owner. Before playing at the Globe, the company had performed at a playhouse called The Theatre, in Shoreditch. By 1598, The Theatre’s lease was expiring and the owner intended to tear down the building. James Burbage—theatrical entrepreneur and father of The Lord Chamberlain’s Men’s leading actor Richard Burbage—built a replacement called Blackfriars Theatre, but the local residents convinced the government to prevent plays from being performed there.
Walker Larson
Walker Larson
Author
Prior to becoming a freelance journalist and culture writer, Walker Larson taught literature and history at a private academy in Wisconsin, where he resides with his wife and daughter. He holds a master's in English literature and language, and his writing has appeared in The Hemingway Review, Intellectual Takeout, and his Substack, The Hazelnut. He is also the author of two novels, "Hologram" and "Song of Spheres."